Re: Theory of Everything « Reply #27 on Oct 10, 2011, 7:55am »
God, Who is the first principle of all things, may be compared to things created as the architect is to things designed (ut artifex ad artificiata).
Commentators have pointed out that the assertion that the Grand Architect of the Universe is the Christian God "is not evident on the basis of 'natural theology' alone but requires an additional 'leap of faith' based on the revelation of the Bible.
Re: Theory of Everything « Reply #33 on Oct 10, 2011, 9:53pm »
i could have sworn i responded to this already...
I have no idea who this man is, but he initiated a horrible experience for me. He has the look of an industrialist - the money-man of the operation. Maybe it isnt wise to overlook the eye of providence, considering it is right above his head.
Then again, it might be a distraction, easily answered away as some kind of masonic plot. Unfortunately, that wouldn't lead us very far, unless we decide to study masonry. Even then, we would have to take into account the darker aspects of masonry and realize this probably has nothing in common with the tradition. The fascist are known for their opposition of secret societies, after all, crowley was booted from cefalu for this reason (and for the spy claims). So what we would be dealing with is a movement informed by two things: 1) the indo-aryan myths and 2)a protestant-germanic heritage. The latter involving the grail stories, but also what amounts to almost total cultural superiority to the rest of europe. We cant forget about what the rosicrucians actually represented. This brings me to the subject of my last post which, apparently, i forgot to post, and this has to deal with the curious document le serpent rouge. This was placed in the national library of france in 1967. I originally wrote 1965-1966, thankfully i was mistaken otherwise i wouldnt have realized it didnt post. There is a great analysis of the work somewhere out there, unfortunately im not able to search for it right now. The title is "sons of the serpent tree - le serpent rouge". The work and the analysis both interested me and reminded me of some of the research on this forum because there are references to the black
Re: Theory of Everything « Reply #35 on Oct 11, 2011, 6:57am »
4th times a charm.
1)The black and white, mosaic, philosopher's stone (imagine) "cancer: the mosaic tiles of the sacred place alternate black and white."
2)The chessboard that resembles a ziggurat, or step pyramid (the stone broken into 64 pieces) "taurus: i can find the 64 scattered stones of the perfect cube." 3 the knights tour around the chessboard (waltzing to gather up the fragments) "gemini: reassemble the scattered stones and working with square and compass, put them back in order."
the accursed treasure was the book that turned henry lincoln onto the mystery of rennes le chateau. The book was written by two men - pierre plantard and gerard de sede. De sede was a surrealist. He dedicated himself to fabricating extremely detailed histories and rennes le chateau was introduced to him by pierre plantard. Plantard had written the original manuscript which was revised by de sede and would be published sometime between 1967-1970. The idea that there are surrealists interested in historical revisionism interests me. It explains quite a bit. In fact, it reminds me of oz a little bit.
I have no idea who this man is, but he initiated a horrible experience for me. He has the look of an industrialist - the money-man of the operation. Maybe it isnt wise to overlook the eye of providence, considering it is right above his head.
Then again, it might be a distraction, easily answered away as some kind of masonic plot. Unfortunately, that wouldn't lead us very far, unless we decide to study masonry. Even then, we would have to take into account the darker aspects of masonry and realize this probably has nothing in common with the tradition. The fascist are known for their opposition of secret societies, after all, crowley was booted from cefalu for this reason (and for the spy claims). So what we would be dealing with is a movement informed by two things: 1) the indo-aryan myths and 2)a protestant-germanic heritage. The latter involving the grail stories, but also what amounts to almost total cultural superiority to the rest of europe. We cant forget about what the rosicrucians actually represented. This brings me to the subject of my last post which, apparently, i forgot to post, and this has to deal with the curious document le serpent rouge. This was placed in the national library of france in 1967. I originally wrote 1965-1966, thankfully i was mistaken otherwise i wouldnt have realized it didnt post. There is a great analysis of the work somewhere out there, unfortunately im not able to search for it right now. The title is "sons of the serpent tree - le serpent rouge". The work and the analysis both interested me and reminded me of some of the research on this forum because there are references to the black
The Dossiers Secrets also include a document titled Le Serpent Rouge - Notes sur Saint-Germain-des-Prés et de Saint-Sulpice de Paris. Here is found a series of thirteen prose poems containing allusions to the interior of Saint-Sulpice. The wording is deliberately obscure throughout, but clearly some secret is supposedly encoded in the interior of the church. The reader is told that in order to "put the scattered stones together again" (?!) one must "look for the line of the meridian while going from east to west, then looking from south to north, finally in all directions to obtain the desired solution, place yourself in front of the fourteen stones marked with a cross".
1)The black and white, mosaic, philosopher's stone (imagine) "cancer: the mosaic tiles of the sacred place alternate black and white."
2)The chessboard that resembles a ziggurat, or step pyramid (the stone broken into 64 pieces) "taurus: i can find the 64 scattered stones of the perfect cube." 3 the knights tour around the chessboard (waltzing to gather up the fragments) "gemini: reassemble the scattered stones and working with square and compass, put them back in order."
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