Post by mindgames on Aug 31, 2007 4:04:50 GMT -5
Clearly, the Beatles' album was dedicated to Satanist Aleister Crowley. It was released 20 years, nearly to the day, after Crowley's death in 1947, and its title song began with the lyrics, "It was twenty years ago today..." The album's cover featured a picture of Crowley.
One month after the album's release, the Beatles shocked the world by announcing, publicly, that they were regularly taking LSD. Beatle member Paul McCartney, in an interview with Life magazine said, "LSD opened my eyes. We only use one-tenth of our brain." They also publicly called for the legalization of marijuana.
The cat was now out of the bag, but the protests were few and minor. In England, the BBC banned "A Day in the Life," and in the U.S.A., Maryland Governor Spiro T.Agnew, who would later be watergated, launched a campaign to ban "Lucy in the Sky With Diamonds."
Creating the Counterculture
The year 1967 marked a significant escalation in open cultural warfare against the youth of the United States. The year saw the beginning of mass, open-air rock concerts. In the two years which followed, over 4 million young people attended a series of nearly a dozen of these "festivals," becoming the victims of planned, wide-scale drug experimentation. Mind destroying hallucinogenic drugs such as PCP, STP, and the Beatles-promoted LSD, were freely distributed at these concerts. These millions of attendees would afterward return to their homes to become the messengers and promoters of the new drug culture, or what came to be called the "New Age."
The first rock festival, "The First Annual Monterey International Pop Festival," was attended by over 100,000 youngsters. The real purpose of Monterey Pop was the widespread distrubution of a new type of drugs , classified as psychedelics or hallucinogens, such as LSD. At Monterey, thousands of younger teen-agers were introduced to the new hallucinogenic drugs .
The first experimentation with LSD was begun in the early sixties, in the Haight-Ashbury section of San Francisco. The project was run by a joint CIA-British intelligence task force under the code-name MK-Ultra. Part of the project called for the free distribution of 5,000 tablets of LSD through a commune known as Ken Kesey's Merry Pranksters. LSD's after-effects were then closely studied.
Kesey, a so-called "poet" and convicted drug felon, became famous for driving around California in a painted- up bus with his commune, the Merry Pranksters, distributing LSD-laced Kool Aid to the unsuspecting.
The effect of LSD is to make the victim psychotic, along with the inability to discern reality from drug-induced hallucinations. For many, this psychosis (also called a "bad trip") could and did lead to suicide. When an individual is given LSD without his knowledge, the psychosis-producing capabilities of the drug are amplified, and usually leave the victim with permanent brain damage.
The organizer of the Monterey festival was John Phillips, a member of the rock group the Mommas and the Papas. Phillips, as we shall see, was a drug pusher and closely tied in with the network of Satanists around Charles Manson and director Roman Polanski.
Phillips appointed a board of directors to promote and finance the concert. The members of the board brought together a network of British intelligence operatives and Satanists. The board of directors included Andrew Oldham (the Rolling Stones manager), the Stones leader Mick Jagger, Beatle Paul McCartney and Phillips' friend, record producer Terry Melcher, the son of Doris Day.
The concert, including the staging and the huge innovative outdoor amplification, was run by Phillips. It was the first time that an American audience was exposed to such openly demonic British groups as The Who, and Jimi Hendrix. At the conclusion of their act, The Who, in a drug-crazed frenzy, destroyed all their guitars, amplifiers, and drums. Hendrix simulated masturbation with his guitar, on stage, while performing at ear-splitting volume levels.
There was massive, open use of drugs . Author Robert Santelli, in his book, Aquarius Rising, writes "LSD was in abundance at Monterey. Tabs of `Monterey Purple' were literally given to anyone wishing to experiment a little." The police made no arrests, setting another precedent for future outdoor concerts.
There was a larger scheme in operation. The scheme was tied into MK-Ultra and it involved using Satanists around Phillips, along with agents such as Ken Kesey and Timothy Leary. The plan was to turn nearby San Francisco into a Satanist gaming preserve, mass recruiting and perverting young run-away teenagers.
Phillips had earlier written the music to a song called "San Francisco" which sold over 5 million copies. The song called for youth throughout the country to come to San Francisco "with flowers in their hair." The song was a rallying cry to tens of thousands who came flooding into San Francisco in the summer of 1968 to join the new "hippie" movement, misnamed the Summer of Love. Some who came became the prey for the likes of Charles Manson, who recruited his cult-"family" exclusively from runaway youth.
Manson and the Rock Stars
Charles Manson has been portrayed as a lone psychotic who had hypnotic power over his "Family". In reality, Manson was well-known to a whole network of Hollywood actors, actresses, promoters, partners and rock stars, and was providing sex and drugs to many of them.
In his autobiography, Papa John, Phillips tells of an invitation he received to join Terry Melcher and Beach Boy member Dennis Wilson, at Wilson's mansion. Wilson said, "This guy Charlie's here with all these great-looking chicks. He plays guitar and he's a real wild guy. He has all these chicks hanging out like servants. You can come over and just screw any of them you want. It's a great party."
Manson's entire "Family" moved into the Beach Boys' mansion for nearly a year. The Beach Boys, who have performed at the White House, are the top recording group of EMI's subsidiary, Capitol Records.
On Sunday, August 10, 1969, Manson sent four members of his cult for their last visit to Melcher's house. This time Melcher wasn't there, but the actress Sharon Tate, wife of movie director Roman Polanski, and three others, were. When the group left, Tate and the others had been savagely mutilated and murdered. As for Phillips, in June 1980, he was arrested for running a large-scale drug wholesaling operation.
The Age of Aquarius
The largest concert after Monterey Pop, the "Woodstock Music and Art Fair," would be what Time magazine celebrated as an "Aquarian Festival"' and "history's largest happening." The term "Aquarian" was carefully chosen. The Aquarian age signified that the "Age of Pisces," which is the age of Christ, had come to an end.
At Woodstock, a small town in upstate New York, nearly half a million youth gathered to be drugged and brainwashed on a farm. The victims were isolated, immersed in filth, pumped with psychedelic drugs , and kept awake continously for three straight days, and all with the full complicity of the FBI and government officials. Security for the concert was provided by a hippie commune trained in the mass distribution of LSD.
Once again, it would be the networks of British military intelligence which would be the initiators. Woodstock was the brain child of Artie Kornfeld, the director of EMI's Capitol Record's, Contemporary Projects Division. The original funding was provided by the heir of a large Pennsylvania-based pharmaceutical company, John Roberts, and two other partners. It was another pharmaceutical company, the Swiss-based Sandoz Laboratories, which had first synthesized LSD. Roberts would later be accused of using his company for the mass drugging of the attendees.
Little adequate preparations were made for the nearly half a million people who came. Joel Rosenman, one of the three partners, writes, as the concert neared, "Food and water were clearly going to be in short supply, sanitary facilities overtaxed, tempers short, drugs overabundant. Worst of all, there was no way for anyone who wanted to, to leave." Sitting in your own excrement was actually part of the plan, as John Roberts jokingly wrote, "We're going to hand out bananas at the gate to bind our patrons."
A hippie commune called the Hog Farm, had a special role at Woodstock. The Hog Farm was led by a man nicknamed Wavy Graver, who was a former member of Ken Kesey's MK-Ultra operation, the Merry Pranksters. Communes like the Hog Farm were commonly found in the remote parts of California and served as the breeding grounds for Satanic cults, as well as terrorist groups. Members of these communes continually interchanged with other communes and were the recruiting grounds for the Process Church and Manson. Hog Farm member Diane Lake was a member of Charles Manson's Family, at the time of the massacre of Sharon Tate and her guests.
On August 14, one day before the scheduled opening, the entire festival security force, comprised of 350 off-duty New York City cops, pulled out. A spokesman for the New York police claimed that no official arrangement was ever made with the city, a claim the promoters vehemently denied. In an August 15, 1969 New York Times article, the head of Woodstock's security said, "Now I don't have any security at all. I've been struck. We're having the biggest collection of kids there's ever been in this country without any police protection." Not surprisingly, the Hog Farm was put in charge of security.
Woodstock funder and director John Roberts, openly admitted that he was well aware of the Hog Farm's connection to drug distribution. He writes, "their fee was simply transportation to and from the festival... a peace-keeping force that looked, talked, and smelled like the crowd would be both highly credible and highly effective... and the most important, they were wise in the ways of drugs , knowing good acid from bad, good trips from bummers, good medicine from poison, etc."
The Hog Farm at the time was living in New Mexico's mountains. Roberts chartered a Boeing 727, at a cost of $17,000, and flew 100 of them to New York.
To clear the final path for the planned drugging of half a million youngsters, the district attorney for the area agreed privately that there would be no arrests or prosecutions for violations of drug laws. John Roberts writes, "The District Attorney...recognized early on that many of our customers would be using illegal drugs , but also recognized that such use would be the least of our problems over the course of the weekend. He acted, therefore, with compassion and good grace throughout." Roberts also writes that he was meeting continuously with the FBI up to and including one day before the start of the concert, and had their full cooperation.
The Expriment Begins
Two days before the scheduled start of the concert, 50,000 kids had already arrived in Woodstock. drugs immediately began to circulate. Many people brought their babies and, as Roberts says, even they were drugged. Roberts writes that at a nearby lake, "the tots swam naked, smoked grass, and got into the music."
A poll conducted at the festival by the New York Times showed that 99 percent of those attending were using marijuana. Local sheriff deputies, totally overwhelmed, reported that no arrests were being made for drug use. The New York Times of August 17 quoted one deputy," If we did (make arrests), there isn't enough space in Sullivan or the next three counties to put them in."
The use of marijuana was not the worst. Following the design of the original MK-Ultra project, the mass distribution of LSD came next, much of it in LSD-laced Coca Cola, as Kesey's Pranksters had done five years earlier. Roberts jokingly relates the following, "a particularly abrasive cop ....had been handed an LSD-spiked Coke while directing traffic. Long after all automobiles in the area had congealed to a standstill, the hardhat was still out on the road waving them on. Finally they led him away."
For the next three days, the nearly half a million young people that arrived were subjected to continual drugs and rock music. Because of torrential rains, they were forced to wallow in knee-deep mud. There were no shelters, and no way to get out. Cars were parked over eight miles away. Rosenman writes that the key to the "Woodstock experimen"' was "keeping our performers performing around the clock...to keep the kids transfixed..."
Within the first 24 hours, over 300 kids reported to medical authorities, violently ill. The diagnosis: they were having "bad" LSD trips. Thousands more would follow. On August 17, the New York Times reported: "Tonight, a festival announcer warned from the stage, that 'badly manufactured acid' (a term for LSD) was being circulated. He said: 'You aren't taking poison acid. The acid's not poison. It's just badly manufactured acid. You are not going to die.... So if you think you've taken poison, you haven't. But if you're worried, just take half a tablet.'"
The advice, to nearly 500,000 people, "just take half a tablet" was given by none other than MK-Ultra agent Wavy Gravy.
With a growing medical emergency on hand, a call went out to New York City for emergency medical personnel. Over 50 doctors and nurses were flown in. By the end of Woodstock, a total of 5,000 medical cases were reported.
Altamont: the Making Of a Snuff Film
The last major rock "festival" of the 1960s was held at Altamont racetrack, outside San Francisco. The featured performers were the Rolling Stones, who now reigned supreme in the rock world, since the Beatles had broken up. The suggestion for the concert came from MK-Ultra agent Ken Kesey.
This time, the audience was whipped into a frenzy, in open praise of the Devil. The result was a literal Satanic orgy. At its conclusion, four people were dead and dozens beaten and injured. Mick Jagger, the lead singer of the Rolling Stones, played the part of Lucifer. The performance marked the beginning of the "heavy-metal" concerts of today.
Over 400,000 people attended the Altamont concert with far less preparation than even Woodstock. Food, and even water, were nearly unavailable. But plenty of drugs were to be found. Like Woodstock, the concert would become the vehicle for the mass experimentation of drugs , especially LSD. Author Tony Sanchez describes the scene as people gathered at Altamont:
"By midmorning there were more than a quarter of a million people milling around, and things were becoming chaotic. There was a lot of bad acid (LSD-DP) around, and people were freaking out all over the place. Everybody was getting stoned out of his skull to pass the long hours before the music was to start--Mexican grass, cheap California wine, amphetamines ...
"By midday virtually everyone was tripping...A man was almost killed as he tried to fly from a speedway bridge--another acid case. On the other side of the site a young guy screamed for help as he fell into the deep waters of a drainage canal. The stoned-out freaks looked on bemused as he sank beneath the surface. No one seemed sure if he had been real or an hallucination. It didn't matter anymore anyway, he was dead. Elsewhere doctors were kept busy delivering babies to girls giving hysterical premature birth.''
The descent into Hell would continue. The Rolling Stones had hired, for a reported $500 worth of free beer, the motorcycle gang Hell's Angels to act as security guards for the concert. Their real payment, however, was in drug sales. The Hell's Angels, an outlaw gang made up of robbers, rapists and murderers, were the known controllers and sellers of drugs on the entire West Coast.
When the festival did open, the crowd of nearly half a million people waited for more than one and a half hours for the Stones to appear. It was only when nightfall arrived, allowing for the use of special lighting effects, that the group finally came on stage. Mick Jagger, the lead singer, was dressed in a satin cape, which glowed red under the lights. Jagger was imitating Lucifer.
Author Sanchez next describes what he calls a preplanned "Satanic ritual." As the group began playing, "strangely several of the kids were stripping off their clothes and crawling to the stage as if it were a high altar, there to offer themselves as victims for the boots and cues of the Angels. The more they were beaten and bloodied, the more they were impelled, as if by some supernatural force, to offer themselves as human sacrifices to these agents of Satan."
Standing in the crowd in front of the stage, with his girlfriend, was a black man by the name of Meredith Hunter. Hunter would soon be singled out for human sacrifice.
The Stones had just released a new song entitled, "Sympathy for the Devil." It had quickly become the number one record in the country. The song begins with Mick Jagger introducing himself as Lucifer. As soon as he began to sing it at Altamont, the entire audience rose up and began dancing in a wild frenzy.
Sanchez descibes what happened next, "A great six foot four grizzly bear of a Hell's Angel had stalked across to Meredith (Hunter) to pull his hair hard in an effort to provoke a fight ...A fight broke out, five more Angels came crashing to the aid of their buddy, while Meredith tried to run off through the packed crowd. An Angel caught him by the arm and brought down a sheath knife hard in the black man's back. The knife failed to penetrate deeply, but Meredith knew then that he was fighting for his life. He ripped a gun out of his pocket and pointed it straight at the Angel's chest... And then the Angels were upon him like a pack of wolves. One tore the gun from his hand, another stabbed him in the face and still another stabbed him repeatedly, insanely, in the back until his knees buckled.
When the Angels finished with Hunter, several people tried to come to his aid, but an Angel stood guard over the motionless body. `Don't touch him,' he said menacingly. `He's going to die anyway, so just let him die.'"
It was never proven that Meredith actually had a gun. Later, arrests were made. No one was ever indicted because no one person would step forward as a witness out of fear of retaliation by the Angels.
Throughout the bloody killing the Rolling Stones continued to play "Sympathy for the Devil." The entire group watched from the stage as Meredith Hunter was killed right before them. In addition, incredibly, the entire murder was professionally filmed by a film crew hired to film the concert. Shortly thereafter the film was released throughout the country with the title of a Rolling Stone's song, "Gimme Shelter."
Was the murder preplanned by Satanists? In his book, The Ultimate Evil, author Maury Terry tells how Satanic cults circulate among themselves films of their human sacrifices. These films are called "snuff films." Terry relates that one of the seven Son of Sam murders in New York City was actually filmed from a nearby parked van. The film was then purchased by a rich Satanist. "Gimme Shelter,'' which was a box-office hit, can still be purchased or rented today for only a few dollars, at your local video store.
Behind "Heavy-Metal" Rock
The same year as Altamont, 1969, marked the beginning of the evil career of Ozzie Osbourne. Osbourne formed the band Black Sabbath. The group modelled itself on the Rolling Stones. The next fifteen years would witness a procession of young drugged-out rock performers, like Osbourne, each competing for the "big money" and the recording contracts that came with it. The key criteria of those who would "make it" was their ability to portray decadence and evil. These were the "heavy-metal" groups.
Anton LaVey
In 1985, New Solidarity newspaper, which has since been forcibly shut down by the federal government, conducted an interview with Hezekiah Ben Aaron, then the third-ranking member of the Church of Satan. Ben Aaron is now a devout Christian. In the interview, Aaron revealed that it was his Church that started such "heavy-metal" rock groups as Black Sabbath, The Blue Oyster Cult, The Who, Ozzy Osbourne, and many others. The Church of Satan was then led by its high priest, Anton LaVey. Many report, however, that LaVey, a former circus lion tamer, was just a front man for the real high priest, Kenneth Anger, the man who earlier recruited the Rolling Stones to the occult.
The following is an excerpt from that interview: "I was working for the Church...the Church had other people who were middlemen for other companies. There were middlemen for Apple [set up by the Beatles], Warner Brothers, and other record companies. Someone would come to me and say, `I have a tape recording, and I'd like for you to check it out. I'd like to see if you would be interested in sponsoring a Rock group.' I'd say `All right, I'll check it out.' A few days later Ben Aaron would call back and set up another meeting.
He continues, `I'd hand you $100,000, and you wouldn't sign anything. What you wouldn't know is that a mirror on the back of the wall is a one-way mirror and we're tape recording and photographing, or video taping everything that goes on. The payback, if you fail to make the group work, is really bad. Sometimes it's up to 60% on the dollar."
Aaron's interview continued: "we send you to a store, we provide you with uniforms and we provide you with amplifiers. It's all paid through the money we gave you. We set you up with a road tour. We set you up with engagements. We book you."
Aaron then explained that if the group did not make it he was given orders to collect the money or make other "arrangements." These "other arrangements," perhaps, are the key to the dozens of reported rock star "suicides." The underworld drug mafia has ample means to eliminate non-payers. Some readers may remember the following statement Beatle John Lennon made to the international press back in 1966:
"Christianity will go. It will go. It will vanish and shrink. I needn't argue about that. I'm right and I will be proved right. We are more popular than Jesus now."
Hopefully, he will be proven to be wrong.
100777.com/node/151
www.theforbiddenknowledge.com/hardtruth/beatles_mind_control.htm
www.illuminati-news.com/rock_and_mc.htm
One month after the album's release, the Beatles shocked the world by announcing, publicly, that they were regularly taking LSD. Beatle member Paul McCartney, in an interview with Life magazine said, "LSD opened my eyes. We only use one-tenth of our brain." They also publicly called for the legalization of marijuana.
The cat was now out of the bag, but the protests were few and minor. In England, the BBC banned "A Day in the Life," and in the U.S.A., Maryland Governor Spiro T.Agnew, who would later be watergated, launched a campaign to ban "Lucy in the Sky With Diamonds."
Creating the Counterculture
The year 1967 marked a significant escalation in open cultural warfare against the youth of the United States. The year saw the beginning of mass, open-air rock concerts. In the two years which followed, over 4 million young people attended a series of nearly a dozen of these "festivals," becoming the victims of planned, wide-scale drug experimentation. Mind destroying hallucinogenic drugs such as PCP, STP, and the Beatles-promoted LSD, were freely distributed at these concerts. These millions of attendees would afterward return to their homes to become the messengers and promoters of the new drug culture, or what came to be called the "New Age."
The first rock festival, "The First Annual Monterey International Pop Festival," was attended by over 100,000 youngsters. The real purpose of Monterey Pop was the widespread distrubution of a new type of drugs , classified as psychedelics or hallucinogens, such as LSD. At Monterey, thousands of younger teen-agers were introduced to the new hallucinogenic drugs .
The first experimentation with LSD was begun in the early sixties, in the Haight-Ashbury section of San Francisco. The project was run by a joint CIA-British intelligence task force under the code-name MK-Ultra. Part of the project called for the free distribution of 5,000 tablets of LSD through a commune known as Ken Kesey's Merry Pranksters. LSD's after-effects were then closely studied.
Kesey, a so-called "poet" and convicted drug felon, became famous for driving around California in a painted- up bus with his commune, the Merry Pranksters, distributing LSD-laced Kool Aid to the unsuspecting.
The effect of LSD is to make the victim psychotic, along with the inability to discern reality from drug-induced hallucinations. For many, this psychosis (also called a "bad trip") could and did lead to suicide. When an individual is given LSD without his knowledge, the psychosis-producing capabilities of the drug are amplified, and usually leave the victim with permanent brain damage.
The organizer of the Monterey festival was John Phillips, a member of the rock group the Mommas and the Papas. Phillips, as we shall see, was a drug pusher and closely tied in with the network of Satanists around Charles Manson and director Roman Polanski.
Phillips appointed a board of directors to promote and finance the concert. The members of the board brought together a network of British intelligence operatives and Satanists. The board of directors included Andrew Oldham (the Rolling Stones manager), the Stones leader Mick Jagger, Beatle Paul McCartney and Phillips' friend, record producer Terry Melcher, the son of Doris Day.
The concert, including the staging and the huge innovative outdoor amplification, was run by Phillips. It was the first time that an American audience was exposed to such openly demonic British groups as The Who, and Jimi Hendrix. At the conclusion of their act, The Who, in a drug-crazed frenzy, destroyed all their guitars, amplifiers, and drums. Hendrix simulated masturbation with his guitar, on stage, while performing at ear-splitting volume levels.
There was massive, open use of drugs . Author Robert Santelli, in his book, Aquarius Rising, writes "LSD was in abundance at Monterey. Tabs of `Monterey Purple' were literally given to anyone wishing to experiment a little." The police made no arrests, setting another precedent for future outdoor concerts.
There was a larger scheme in operation. The scheme was tied into MK-Ultra and it involved using Satanists around Phillips, along with agents such as Ken Kesey and Timothy Leary. The plan was to turn nearby San Francisco into a Satanist gaming preserve, mass recruiting and perverting young run-away teenagers.
Phillips had earlier written the music to a song called "San Francisco" which sold over 5 million copies. The song called for youth throughout the country to come to San Francisco "with flowers in their hair." The song was a rallying cry to tens of thousands who came flooding into San Francisco in the summer of 1968 to join the new "hippie" movement, misnamed the Summer of Love. Some who came became the prey for the likes of Charles Manson, who recruited his cult-"family" exclusively from runaway youth.
Manson and the Rock Stars
Charles Manson has been portrayed as a lone psychotic who had hypnotic power over his "Family". In reality, Manson was well-known to a whole network of Hollywood actors, actresses, promoters, partners and rock stars, and was providing sex and drugs to many of them.
In his autobiography, Papa John, Phillips tells of an invitation he received to join Terry Melcher and Beach Boy member Dennis Wilson, at Wilson's mansion. Wilson said, "This guy Charlie's here with all these great-looking chicks. He plays guitar and he's a real wild guy. He has all these chicks hanging out like servants. You can come over and just screw any of them you want. It's a great party."
Manson's entire "Family" moved into the Beach Boys' mansion for nearly a year. The Beach Boys, who have performed at the White House, are the top recording group of EMI's subsidiary, Capitol Records.
On Sunday, August 10, 1969, Manson sent four members of his cult for their last visit to Melcher's house. This time Melcher wasn't there, but the actress Sharon Tate, wife of movie director Roman Polanski, and three others, were. When the group left, Tate and the others had been savagely mutilated and murdered. As for Phillips, in June 1980, he was arrested for running a large-scale drug wholesaling operation.
The Age of Aquarius
The largest concert after Monterey Pop, the "Woodstock Music and Art Fair," would be what Time magazine celebrated as an "Aquarian Festival"' and "history's largest happening." The term "Aquarian" was carefully chosen. The Aquarian age signified that the "Age of Pisces," which is the age of Christ, had come to an end.
At Woodstock, a small town in upstate New York, nearly half a million youth gathered to be drugged and brainwashed on a farm. The victims were isolated, immersed in filth, pumped with psychedelic drugs , and kept awake continously for three straight days, and all with the full complicity of the FBI and government officials. Security for the concert was provided by a hippie commune trained in the mass distribution of LSD.
Once again, it would be the networks of British military intelligence which would be the initiators. Woodstock was the brain child of Artie Kornfeld, the director of EMI's Capitol Record's, Contemporary Projects Division. The original funding was provided by the heir of a large Pennsylvania-based pharmaceutical company, John Roberts, and two other partners. It was another pharmaceutical company, the Swiss-based Sandoz Laboratories, which had first synthesized LSD. Roberts would later be accused of using his company for the mass drugging of the attendees.
Little adequate preparations were made for the nearly half a million people who came. Joel Rosenman, one of the three partners, writes, as the concert neared, "Food and water were clearly going to be in short supply, sanitary facilities overtaxed, tempers short, drugs overabundant. Worst of all, there was no way for anyone who wanted to, to leave." Sitting in your own excrement was actually part of the plan, as John Roberts jokingly wrote, "We're going to hand out bananas at the gate to bind our patrons."
A hippie commune called the Hog Farm, had a special role at Woodstock. The Hog Farm was led by a man nicknamed Wavy Graver, who was a former member of Ken Kesey's MK-Ultra operation, the Merry Pranksters. Communes like the Hog Farm were commonly found in the remote parts of California and served as the breeding grounds for Satanic cults, as well as terrorist groups. Members of these communes continually interchanged with other communes and were the recruiting grounds for the Process Church and Manson. Hog Farm member Diane Lake was a member of Charles Manson's Family, at the time of the massacre of Sharon Tate and her guests.
On August 14, one day before the scheduled opening, the entire festival security force, comprised of 350 off-duty New York City cops, pulled out. A spokesman for the New York police claimed that no official arrangement was ever made with the city, a claim the promoters vehemently denied. In an August 15, 1969 New York Times article, the head of Woodstock's security said, "Now I don't have any security at all. I've been struck. We're having the biggest collection of kids there's ever been in this country without any police protection." Not surprisingly, the Hog Farm was put in charge of security.
Woodstock funder and director John Roberts, openly admitted that he was well aware of the Hog Farm's connection to drug distribution. He writes, "their fee was simply transportation to and from the festival... a peace-keeping force that looked, talked, and smelled like the crowd would be both highly credible and highly effective... and the most important, they were wise in the ways of drugs , knowing good acid from bad, good trips from bummers, good medicine from poison, etc."
The Hog Farm at the time was living in New Mexico's mountains. Roberts chartered a Boeing 727, at a cost of $17,000, and flew 100 of them to New York.
To clear the final path for the planned drugging of half a million youngsters, the district attorney for the area agreed privately that there would be no arrests or prosecutions for violations of drug laws. John Roberts writes, "The District Attorney...recognized early on that many of our customers would be using illegal drugs , but also recognized that such use would be the least of our problems over the course of the weekend. He acted, therefore, with compassion and good grace throughout." Roberts also writes that he was meeting continuously with the FBI up to and including one day before the start of the concert, and had their full cooperation.
The Expriment Begins
Two days before the scheduled start of the concert, 50,000 kids had already arrived in Woodstock. drugs immediately began to circulate. Many people brought their babies and, as Roberts says, even they were drugged. Roberts writes that at a nearby lake, "the tots swam naked, smoked grass, and got into the music."
A poll conducted at the festival by the New York Times showed that 99 percent of those attending were using marijuana. Local sheriff deputies, totally overwhelmed, reported that no arrests were being made for drug use. The New York Times of August 17 quoted one deputy," If we did (make arrests), there isn't enough space in Sullivan or the next three counties to put them in."
The use of marijuana was not the worst. Following the design of the original MK-Ultra project, the mass distribution of LSD came next, much of it in LSD-laced Coca Cola, as Kesey's Pranksters had done five years earlier. Roberts jokingly relates the following, "a particularly abrasive cop ....had been handed an LSD-spiked Coke while directing traffic. Long after all automobiles in the area had congealed to a standstill, the hardhat was still out on the road waving them on. Finally they led him away."
For the next three days, the nearly half a million young people that arrived were subjected to continual drugs and rock music. Because of torrential rains, they were forced to wallow in knee-deep mud. There were no shelters, and no way to get out. Cars were parked over eight miles away. Rosenman writes that the key to the "Woodstock experimen"' was "keeping our performers performing around the clock...to keep the kids transfixed..."
Within the first 24 hours, over 300 kids reported to medical authorities, violently ill. The diagnosis: they were having "bad" LSD trips. Thousands more would follow. On August 17, the New York Times reported: "Tonight, a festival announcer warned from the stage, that 'badly manufactured acid' (a term for LSD) was being circulated. He said: 'You aren't taking poison acid. The acid's not poison. It's just badly manufactured acid. You are not going to die.... So if you think you've taken poison, you haven't. But if you're worried, just take half a tablet.'"
The advice, to nearly 500,000 people, "just take half a tablet" was given by none other than MK-Ultra agent Wavy Gravy.
With a growing medical emergency on hand, a call went out to New York City for emergency medical personnel. Over 50 doctors and nurses were flown in. By the end of Woodstock, a total of 5,000 medical cases were reported.
Altamont: the Making Of a Snuff Film
The last major rock "festival" of the 1960s was held at Altamont racetrack, outside San Francisco. The featured performers were the Rolling Stones, who now reigned supreme in the rock world, since the Beatles had broken up. The suggestion for the concert came from MK-Ultra agent Ken Kesey.
This time, the audience was whipped into a frenzy, in open praise of the Devil. The result was a literal Satanic orgy. At its conclusion, four people were dead and dozens beaten and injured. Mick Jagger, the lead singer of the Rolling Stones, played the part of Lucifer. The performance marked the beginning of the "heavy-metal" concerts of today.
Over 400,000 people attended the Altamont concert with far less preparation than even Woodstock. Food, and even water, were nearly unavailable. But plenty of drugs were to be found. Like Woodstock, the concert would become the vehicle for the mass experimentation of drugs , especially LSD. Author Tony Sanchez describes the scene as people gathered at Altamont:
"By midmorning there were more than a quarter of a million people milling around, and things were becoming chaotic. There was a lot of bad acid (LSD-DP) around, and people were freaking out all over the place. Everybody was getting stoned out of his skull to pass the long hours before the music was to start--Mexican grass, cheap California wine, amphetamines ...
"By midday virtually everyone was tripping...A man was almost killed as he tried to fly from a speedway bridge--another acid case. On the other side of the site a young guy screamed for help as he fell into the deep waters of a drainage canal. The stoned-out freaks looked on bemused as he sank beneath the surface. No one seemed sure if he had been real or an hallucination. It didn't matter anymore anyway, he was dead. Elsewhere doctors were kept busy delivering babies to girls giving hysterical premature birth.''
The descent into Hell would continue. The Rolling Stones had hired, for a reported $500 worth of free beer, the motorcycle gang Hell's Angels to act as security guards for the concert. Their real payment, however, was in drug sales. The Hell's Angels, an outlaw gang made up of robbers, rapists and murderers, were the known controllers and sellers of drugs on the entire West Coast.
When the festival did open, the crowd of nearly half a million people waited for more than one and a half hours for the Stones to appear. It was only when nightfall arrived, allowing for the use of special lighting effects, that the group finally came on stage. Mick Jagger, the lead singer, was dressed in a satin cape, which glowed red under the lights. Jagger was imitating Lucifer.
Author Sanchez next describes what he calls a preplanned "Satanic ritual." As the group began playing, "strangely several of the kids were stripping off their clothes and crawling to the stage as if it were a high altar, there to offer themselves as victims for the boots and cues of the Angels. The more they were beaten and bloodied, the more they were impelled, as if by some supernatural force, to offer themselves as human sacrifices to these agents of Satan."
Standing in the crowd in front of the stage, with his girlfriend, was a black man by the name of Meredith Hunter. Hunter would soon be singled out for human sacrifice.
The Stones had just released a new song entitled, "Sympathy for the Devil." It had quickly become the number one record in the country. The song begins with Mick Jagger introducing himself as Lucifer. As soon as he began to sing it at Altamont, the entire audience rose up and began dancing in a wild frenzy.
Sanchez descibes what happened next, "A great six foot four grizzly bear of a Hell's Angel had stalked across to Meredith (Hunter) to pull his hair hard in an effort to provoke a fight ...A fight broke out, five more Angels came crashing to the aid of their buddy, while Meredith tried to run off through the packed crowd. An Angel caught him by the arm and brought down a sheath knife hard in the black man's back. The knife failed to penetrate deeply, but Meredith knew then that he was fighting for his life. He ripped a gun out of his pocket and pointed it straight at the Angel's chest... And then the Angels were upon him like a pack of wolves. One tore the gun from his hand, another stabbed him in the face and still another stabbed him repeatedly, insanely, in the back until his knees buckled.
When the Angels finished with Hunter, several people tried to come to his aid, but an Angel stood guard over the motionless body. `Don't touch him,' he said menacingly. `He's going to die anyway, so just let him die.'"
It was never proven that Meredith actually had a gun. Later, arrests were made. No one was ever indicted because no one person would step forward as a witness out of fear of retaliation by the Angels.
Throughout the bloody killing the Rolling Stones continued to play "Sympathy for the Devil." The entire group watched from the stage as Meredith Hunter was killed right before them. In addition, incredibly, the entire murder was professionally filmed by a film crew hired to film the concert. Shortly thereafter the film was released throughout the country with the title of a Rolling Stone's song, "Gimme Shelter."
Was the murder preplanned by Satanists? In his book, The Ultimate Evil, author Maury Terry tells how Satanic cults circulate among themselves films of their human sacrifices. These films are called "snuff films." Terry relates that one of the seven Son of Sam murders in New York City was actually filmed from a nearby parked van. The film was then purchased by a rich Satanist. "Gimme Shelter,'' which was a box-office hit, can still be purchased or rented today for only a few dollars, at your local video store.
Behind "Heavy-Metal" Rock
The same year as Altamont, 1969, marked the beginning of the evil career of Ozzie Osbourne. Osbourne formed the band Black Sabbath. The group modelled itself on the Rolling Stones. The next fifteen years would witness a procession of young drugged-out rock performers, like Osbourne, each competing for the "big money" and the recording contracts that came with it. The key criteria of those who would "make it" was their ability to portray decadence and evil. These were the "heavy-metal" groups.
Anton LaVey
In 1985, New Solidarity newspaper, which has since been forcibly shut down by the federal government, conducted an interview with Hezekiah Ben Aaron, then the third-ranking member of the Church of Satan. Ben Aaron is now a devout Christian. In the interview, Aaron revealed that it was his Church that started such "heavy-metal" rock groups as Black Sabbath, The Blue Oyster Cult, The Who, Ozzy Osbourne, and many others. The Church of Satan was then led by its high priest, Anton LaVey. Many report, however, that LaVey, a former circus lion tamer, was just a front man for the real high priest, Kenneth Anger, the man who earlier recruited the Rolling Stones to the occult.
The following is an excerpt from that interview: "I was working for the Church...the Church had other people who were middlemen for other companies. There were middlemen for Apple [set up by the Beatles], Warner Brothers, and other record companies. Someone would come to me and say, `I have a tape recording, and I'd like for you to check it out. I'd like to see if you would be interested in sponsoring a Rock group.' I'd say `All right, I'll check it out.' A few days later Ben Aaron would call back and set up another meeting.
He continues, `I'd hand you $100,000, and you wouldn't sign anything. What you wouldn't know is that a mirror on the back of the wall is a one-way mirror and we're tape recording and photographing, or video taping everything that goes on. The payback, if you fail to make the group work, is really bad. Sometimes it's up to 60% on the dollar."
Aaron's interview continued: "we send you to a store, we provide you with uniforms and we provide you with amplifiers. It's all paid through the money we gave you. We set you up with a road tour. We set you up with engagements. We book you."
Aaron then explained that if the group did not make it he was given orders to collect the money or make other "arrangements." These "other arrangements," perhaps, are the key to the dozens of reported rock star "suicides." The underworld drug mafia has ample means to eliminate non-payers. Some readers may remember the following statement Beatle John Lennon made to the international press back in 1966:
"Christianity will go. It will go. It will vanish and shrink. I needn't argue about that. I'm right and I will be proved right. We are more popular than Jesus now."
Hopefully, he will be proven to be wrong.
100777.com/node/151
www.theforbiddenknowledge.com/hardtruth/beatles_mind_control.htm
www.illuminati-news.com/rock_and_mc.htm
