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Post by 65if2007 on Mar 4, 2012 0:58:33 GMT -5
Rotten Apple 76 is one of my favorites, but what is the guy saying at 1:51 - 1:53?
Can anyone hear it or figure it out? I can't.
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Post by B on Mar 4, 2012 14:45:50 GMT -5
"This is the duties between the 'soldier' " ?
(to keep the information that Paul had been in a car crash hidden, presumably.
I'm guessing soldiers were standing guard at the crash site.)
His previous statement (1:19 - 1:29) was:
"I was in (At) 'lanta' in 1966, and somebody told us that Paul McCartney was dead in a car crash,
and had won." (a race, presumably)
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The "they'd know they'd become an alien" repeats at :50 - :55 are odd.
I suspect that the complete sentence was something along the lines of:
"That way, if they were to die accidentally, they'd know they'd become an alien."
Implicitly, one would gather that the Beatles may have been promised by the powers-that-were,
that in the event that any of them were killed, they would have a back-up (alien) body
accessible to them, which presumably was storing all their real life experience and memories,
simultaneously with their earthly bodies.
That might have something to do with why there would be soldiers around, as opposed
to just police.
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Post by 65if2007 on Mar 5, 2012 0:30:24 GMT -5
"This is the duties with the 'soldier' " ? (to keep the information that Paul had been in a car crash hidden, presumably. I'm guessing a soldier was standing guard at the crash site.) His previous statement (1:19 - 1:29) was: "I was in (At) 'lanta' in 1966, and somebody told us that Paul McCartney was dead in a car crash, and had won." (a race, presumably)----------------------------------------The "they'd know they'd become an alien" repeats at :50 - :55 are odd. I suspect that the complete sentence was something along the lines of: "That way, if they were to die accidentally, they'd know they'd become an alien." Implicitly, one would gather that the Beatles may have been promised by the powers-that-were, that in the event that any of them were killed, they would have a back-up (alien) body accessible to them, which presumably was storing all their real life experience and memories, simultaneously with their earthly bodies. No, no, no. I'm sorry, Letter B, but your hearing is no better than mine. And I know that Emilio Lari's accent is very hard to pick up when he tries to use it to speak English. But in the first place, in earlier RA videos, Lari uses the word "sosia" (Italian for double), and that is surely the word that he's using here -- not "soldier". "Sosia" makes more sense in the context of iamaphoney's narrative than does "soldier". In the second place, Lari is clearly saying, "I was in LONDON in 1966" -- which, in context, makes considerably more sense than to suppose that he was saying "I was in Atlanta". It's "car crash on the M1", not "car crash and had won". I'm not sure of what Mal Evans is saying, but I doubt that he's saying anything about becoming an "alien". It sounds to me like he's using the world "heirloom" -- which might simply refer to his now-expanded role in Beatles history, given that he is claiming part authorship of "Fixing a Hole" and "Sgt. Pepper". I wouldn't swear to that, but again, I think that talk of "back up alien bodies" is not part of the iamaphoney narrative, however much it may be a part of the narratives of others. |
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Post by B on Mar 5, 2012 0:47:45 GMT -5
Much obliged. I think what you're hearing is more accurate than what I heard.
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Post by iameye on Mar 5, 2012 8:47:40 GMT -5
Vintage photo of Lucy and the Fireman  It's almost like you guys aren't even trying  TIME to start the conflagration! |
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Post by B on Mar 5, 2012 10:18:59 GMT -5
" Emilio started his career by bluffing his way on to the set of Richard Lester’s A Hard Day's Night in 1964. On set, the crew and actors happened to be waiting for a photographer from L’European magazine and welcomed Lari accordingly. Emilio happily played the role until he was exposed when the official photographer arrived. However, his talent and friendly approach led to an invitation to the filming of Help! in 1965. Lari’s charm and happy-go-lucky attitude took him through 40 years of European and Hollywood movies – from the cult 1966 hit Barbarella and Franco Zeffirelli’s classic 1968 Romeo and Juliet, to Francis Ford Coppola’s iconic Godfather trilogy and Martin Scorsese’s Raging Bull. As the official on-set photographer to the biggest stars of the Big Screen, Lari’s stills are infused with a sense of ease that comes from his relationship with the actors and directors that he worked with. His portfolio includes some incredible shots of iconic figures caught off guard; we see John Lennon mucking about in a long dark wig, and Jane Fonda stealing the director’s chair to put her feet up between takes. Facing us from the back of that chair is the Director’s name: Roger Vadim. Lari has tipped the viewer a cheeky wink... As much as his considerable skill with the camera, Emilio Lari’s ebullient personality and playful eye characterises his unique brand of photography. As Francis Ford Coppola said of him, you ‘.. can’t separate the work from the man, but both lifted your spirits.’ " once you figured out what he was talking about!  see also: iamaphoney.blogspot.com/2010/11/emilio-lari.html |
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Post by 65if2007 on Mar 5, 2012 21:32:06 GMT -5
Much obliged. I think what you're hearing is more accurate than what I heard. Oh, you're welcome. I was looking for an insight, but it's better to give than to receive, I suppose. |
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Post by 65if2007 on Mar 5, 2012 21:51:50 GMT -5
" Emilio started his career by bluffing his way on to the set of Richard Lester’s A Hard Day's Night in 1964. On set, the crew and actors happened to be waiting for a photographer from L’European magazine and welcomed Lari accordingly. Emilio happily played the role until he was exposed when the official photographer arrived. However, his talent and friendly approach led to an invitation to the filming of Help! in 1965. Lari’s charm and happy-go-lucky attitude took him through 40 years of European and Hollywood movies – from the cult 1966 hit Barbarella and Franco Zeffirelli’s classic 1968 Romeo and Juliet, to Francis Ford Coppola’s iconic Godfather trilogy and Martin Scorsese’s Raging Bull. As the official on-set photographer to the biggest stars of the Big Screen, Lari’s stills are infused with a sense of ease that comes from his relationship with the actors and directors that he worked with. His portfolio includes some incredible shots of iconic figures caught off guard; we see John Lennon mucking about in a long dark wig, and Jane Fonda stealing the director’s chair to put her feet up between takes. Facing us from the back of that chair is the Director’s name: Roger Vadim. Lari has tipped the viewer a cheeky wink... As much as his considerable skill with the camera, Emilio Lari’s ebullient personality and playful eye characterises his unique brand of photography. As Francis Ford Coppola said of him, you ‘.. can’t separate the work from the man, but both lifted your spirits.’ " once you figured out what he was talking about! see also: iamaphoney.blogspot.com/2010/11/emilio-lari.htmlHa ha ha, LB. Actually, there's very little of an ebullient personality or playful eye or any sort of spirit-lifting quality visible in the RA videos. He always seems to be sad or desperate. As long as he IS able to make himself comprehensible -- after a fashion -- why doesn't he discuss PID with any of his professional contacts? Why is it only to Iamaphoney that he confides his deepest fears? And I wonder if he was a source for the Wired Italia article. |
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Post by B on Mar 6, 2012 10:20:23 GMT -5
 Uh-oh. Better have that suitcase checked for radiation, 65if2007! Rocketdyne radiation is still abundantwww.contracostatimes.com/california/ci_20108641/rocketdyne-radiation-is-still-abundant"Some levels of radioactive chemicals found on a portion of the Santa Susana Field Laboratory site were as much as 1,000 times higher than standards, according to federal data released on Monday. Acting as an independent monitor, officials with the U.S. Environmental Protection Agency conducted radiological surveys on a portion of the land known as Area IV, where a partial meltdown of a nuclear reactor occurred in 1959. That portion is currently overseen by the Department of Energy. The results of the radiological survey show that of the 437 samples collected, 75 exceeded standards agreed upon by the DOE and the California Department of Toxic Substances Control in a cleanup agreement signed in December 2010... " (more at link) |
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