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Post by B on Jan 3, 2016 16:34:17 GMT -5
Bandi wrote: Well, I found this second post to be of interest. Anyone having trouble seeing the imaginary Living Dead? invanddis.proboards.com/user/20... I just had to "look" Yeah, it's all in your head - I'll just go check the members list really quick to see if I see any paranoid standouts December 2015? The coolest part is that's probably just some random account -- In December, when you clicked on the link, you saw this: Now his age reads 2016. Clearly the Birthday is this: And he registered when this forum was brand new, and hasn't posted here since 2004, yet his age is '2016'. his ever-present past, you might say 'What's in a name?' you might ask. In the opening post, beatlas231 wrote: Of course, John wrote a famous book And of course you all know that 'the Book of the Law' was one of Crowley's, and that he had suggested that a person could prove that they were extraordinary by leaving evidence in written works and recordings 'ahead of time', as evidence that they were not bound by, or limited by, time - which is to say - by leaving clues from the future in works of the past. A good example of this would be Don Henley's song "Inside Job" which was recorded and released before 911 ever happened, yet whose lyrics hint of foreknowledge of the event. It was an inside job Like it always is Chalk it up to business as usual While we are dreaming (imagining that we are living real life in this 3D reality)This little island disappears (Manhattan)While you are looking the other way They'll take your right to own your own ideas And it's an inside job Favors collected Your trusted servants (politicians, the powers-that-be)Have left you unprotected It was an inside job Like it always is... You think that you're so smart But you don't have a f***ing clue What those men up in the towersAre doing to me and you And they'll keep doin' it and doin' it Until we all wake up Wake up, wake up, wake up, wake upInsect politics [Reptilian rulers]Indifferent universe Bang your head against the wall But apathy is worse It's an inside job It's an inside job It's an inside job Yeh, yeah --------------- Don wanted people to know it wasn't 19 terrorist hijackers who pulled 911 off, and in so doing, showed himself to be one who had in some manner transcended the boundaries of time that most of us are limited by. You might speculate that the "Block that kick!" chants in 'Revolution 9' were incorporated to signify that when John Lennon was shot, the news broke in the USA when Howard Cosell announced it during a football game. Of course, 'Revolution 9' came out in 1968, and John was shot in 1980, so the placing of the chant in the 1968 recording would be prescient. So: this fellow Lennonlives aka beatlas231 (I suspect) wrote a long description of "Bill's" (John's) feelings, and how Yoko had distracted him, in what amounted to an evil effort to have him not feel the effects of Paul's removal from the group. But - as Lennonlives - suggests that Paul may not, in fact, be dead, but alive and living under a different identity. As beatlas231, he seems to implicate Sir Paul (by way of the iamaphoney videos) as possibly working with Yoko to replace Paul within the group. We can surmise that dead or alive, John isn't really dead. That's what I get out of this. But I could be wrong.
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Post by B on Jan 3, 2016 17:49:19 GMT -5
Anyone having trouble seeing the imaginary Living Dead? invanddis.proboards.com/user/20... I just had to "look" Yeah, it's all in your head - I'll just go check the members list really quick to see if I see any paranoid standouts December 2015? The coolest part is that's probably just some random account -- He is suggesting quite plainly that people only imagine that he [Lennon] is dead. ---------- The lyrics to "How Do You Sleep?" seem to imply that Paul must have said something like, "Oh, just get a replacement for me; you all will do fine without me." John seems to be saying: Try to see things through your replacement (Faul)'s eyes So sgt. pepper took you by surprise You better see right through that mother's eyes Those freaks was right when they said you was dead The one mistake you made was in your headHow do you sleep? Ah how do you sleep at night? You live with straights... (etc.)A pretty face may last a year or two (Paul's 'new' face, identity)But pretty soon they'll see what you can do (apparently continuing to write songs) (sounds as if he did what Brian Wilson did; locked himself away, but still wrote songs)The sound you make is muzak to my ears You must have learned something (in) all those years How do you sleep? Ah how do you sleep at night? locked away in his room, writing feather in hand while he works out a tune
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Post by beatlas231 on Jan 3, 2016 21:39:50 GMT -5
No, I'm not that other account. I only mentioned it because it's not me, so I find that to be very strange how I would stumble across that. Take the focus off Paul being replaced - especially Yoko being involved. This is where it gets tricky.
Hell, I'll actually just throw it out there. How did the clues start? Who personally became involved (around 1966) that would slowly influence somebody to start making this kind of rumor? I'll just leave it there.
The idea (back then) was easy -- reform the Beatles and put the right message out there.
I know that, we can get Together. We can make it -- STICK WITH ME!
And then Yoko gets ahold of John; gets a hypnotist involved - here we are today.
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Post by beatlas231 on Jan 3, 2016 21:41:54 GMT -5
hey, where's billywhyman? I find it interesting how he would message me asking if I were Lennon -- got a WHOLE bunch of information (after claiming he was a woman) and then disappeared when I didn't like the idea of getting involved with music?
my sources tell me he's from the United Kingdom -- Get Back JoJo!
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Deleted
Deleted Member
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Post by Deleted on Jan 4, 2016 7:50:17 GMT -5
And of course you all know that 'the Book of the Law' was one of Crowley's, and that he had suggested that a person could prove that they were extraordinary by leaving evidence in written works and recordings 'ahead of time', as evidence that they were not bound by, or limited by, time - which is to say - by leaving clues from the future in works of the past. lol
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Post by bandi on Jan 6, 2016 3:43:20 GMT -5
Hello, B;
Could you explain your newer post a little bit more ? I try hard to follow but when I visit here and try to grasp what you and beatlas231 write/wrote here in this thread, I get confused. I'm not sure why; its been said that confusion is a 'protection device' to keep you from something that may be harmful or upsetting. Sure, that'll be laughable to some but to me I always seem to need to read some posts over and over in order to get up to speed. So please help those of us slower ones understand what you're saying. I appreciate it because like you I want to get absolute understanding of what went on with these guys and what or how they pulled it off. Whatever that was that they pulled off. Thank you and thanks beatlas231.
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Post by seasaltcaramel on Jan 6, 2016 14:28:49 GMT -5
beatlas231 wrote: The spiral began for "Bill" with the entire Manson murders----------------- The Downward Spiral en.wikipedia.org/wiki/The_Downward_Spiral"The Downward Spiral is the second studio album by American industrial rock band Nine Inch Nails, released March 8, 1994, on Interscope Records. It is a concept album detailing the destruction of a man, from the beginning of his "downward spiral" to his attempt at suicide.... Reznor moved to 10050 Cielo Drive, Benedict Canyon, Los Angeles in Beverly Hills, California the following year, where actress Sharon Tate was murdered by members of the Manson Family. It was used as a studio called "Le Pig" for recording Broken and The Downward Spiral with collaborations from other musicians...." Okay. High time for a meandering, moderate to severely well-researched, Caramel. The way people refer to a Jackson Pollack painting as a Pollack, this is a Caramel: When I was reading "The Family" - by Ed Sanders of the Fugs - I remember being struck by a reference to a meeting place called "The Spiral Staircase". It was maybe half a page of information, essentially saying nothing more than Manson and Family would spend time at this house along a highway in the desert. & that Sanders suspected it was related to the Process. This was in 1968, before the general Freak-out. A few years after Sanders published his book a private investigator, Maury Terry, began following the "Son Of Sam" murders*. He came to believe that David Berkowitz did not act alone. More importantly, over time - his investigation lasted almost 10 years - Terry came to the startling conclusion that not only did it seem likely the Son of Sam was not one person instead a cult of some sort, but it seemed this "cult" had a lineage that went back to Manson & the Family. Trying to track down and follow through any leads he encountered, Terry was given information about a person he refers to as "Manson II", in his book "The Ultimate Evil". His initial theory was Manson II was the person that took over the cult after Charlie went to prison. That this person had moved from L.A. to New York in the middle-70s and began directing a new group of young people to murder. However, as his research progress, Terry began to believe that the person he referred to ask Manson II may have, in fact, predated Charlie in terms of involvement in murder, drugs, and the occult. That Manson II was actually the one in charge of Manson and the Family, the Zodiac Killer, the Son of Sam and, in the mid 80s, the "Death-mask Murders". The Death Mask murders reveal a current that should not have been revealed, because it provides a vital clue, and scenario. In 1985 a boy was found on in estate in New York - in the Hamptons, I'm not mistaken. The victim was found wearing a black leather BDSM mask and was on the property of the father of a wealthy art dealer, Andrew Crispo. Crispo, a homosexual, was a prominent art dealer in NYC and when news of the murder shed light on his activities it became evident something awful was going on in and around his gallery. It came out he was heavily involved in drug trafficking, money laundering, and - sensationally played up by the media - homosexual BDSM play. Later it came out that Crispo may have been involved in the production of Snuff Films, which were commissioned by wealthy clients. The book "Bag of Toys" is considered the definitive source on the subject, and was reviewed in a New York Times in 1992, "There Was Something Creepy About The Gallery". Nine Inch Nails - Pinion (From the Broken Video) I'm going to continue this later, but I will direct your attention to this NIN video & also toward it's director, Peter Christopherson - of Throbbing Gristle, & Coil. It's worth noting Trent Reznor named a group after Coil's first EP, "How To Destroy Angels; Ritual Music For The Accumulation Of Male Sexual Energy". Equally pertinent, Christopherson was prominent in Hipgnosis, the English design collective. My next post will focus on Transgressive Art, and how it relates to Paul's death. More importantly, how confusing an audience, or inciting fear, has been a common theme in "Modern" Art since the 1960s, beginning with the work of John Cage and his philosophical offspring, the Fluxus movement+. This line of inquiry leads directly to the idea of "Weaponized Art", or "Weaponized Culture". A question until I post again; Why is it underground movements tend to be confounding to their audiences & participants and focus so heavily on insanity & violence? * I've always held onto the image from the movie, "The Summer of Sam", of a punk musician reading the Sam letters from the Daily News as lyrics to a song. + The next post will focus more on Art, as opposed to serial killers. The idea an artists psychological profile is eeriely similar to a serial killer or a person in the throes of mania.
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Post by seasaltcaramel on Jan 8, 2016 5:11:06 GMT -5
The concept that the Artist imposes their will on the audience. Pop music is, by nature, fascistic. The group replicates it's thoughts and ideas, desires and dreams, which are then packaged for mass consumption. The modern phenomenon of "identity for sale". As Burroughs and Gysin suggest the Word is a virus, and the world we live in has been structured around word - or conceptual - associations. We essentially live in a walking cut-up of corporate logos, trigger phrases coming from radios playing in shops, subliminally charged ad campaigns, slogans on clothing, sigils posted on street signs, masonic statues and buildings with embedded symbolism.
"In a prerecorded Universe the only thing that isn't prerecorded is the prerecording itself." To quote Burroughs. His writing in "The Mayan Caper" - from "The Soft Machine" - describes a mission in which the character enters a temple where the Mayan control tape plays. The mission involves splicing in a new recording to replace the previous, slash-and-burn/sacrifice, control tape of the Mayan Priests, who are revealed to be insectoid/reptilian demons at the service of giant centipede/maggots that feed on sacrificial remains. William borrows through the soft machine. Injecting viral ideas/actions into the control tape of a given system is the theory at work here.
If pop music is fascistic by nature, with the group acting as a gentle - fragmented - Hitler, then the act of injecting subversive, revolutionary, thoughts into a fascistic medium will ultimately lead to it's destruction. Burroughs began implementing this method in 1961, while in Britain after a period in Tangiers where he met Gysin who introduced the technique of the cut-up. Since that time it is obvious the system has grown more insidious and focused on the acquisition of the soul of the citizen. Crowley begins the Book of the Law with the following quote: "The absolute rule of the state shall be a function of the absolute liberty of each individual will."
Concurrent with Burroughs' first serious experimentation with the cut-up method - and the ideas it seemed to suggest- elsewhere, in New York, George Maciunas opened a gallery on Madison Avenue essentially marking the beginning of what is called the "Fluxus Movement". The basic philosophy of Fluxus is a continuation of John Cage's work with silence, or indeterminate, chance-based, music in which the role of the composer is stripped of all significance. Politically, and spiritually, this may be seen as a reaction against the culture industry and personality cults. Fluxus may also be seen as a meditation on these same subjects.
But what we realize if we meditate on the control tape and become aware of it, we may find ourselves encountering the Nova Mob. It's not as if we are the only ones that realize this is a prerecorded universe and that by injecting our ideas onto the master tape we effect change in the perceivable world. Many people have realized this. In some sense it is the birth of the Priest Class, the Wands, the Magicians. As I mentioned above, the Mayans relied heavily on a Slash-and-burn agricultural technique. This required precise timing & an intimate knowledge of the seasons, therefore necessitating a form of astronomy. A lot of people here thought the world was going to end by the reckoning of the Slash-and-burn calendar of this Priest Class.
Or, maybe "Maya" would begin to fragment resulting in the eschaton.
One thing that attracted my attention early on about Burroughs was his dire reading of the World. He suggested certain experiments in "The Job", to be done with tape recorders specifically, all of which would result in negative consequences, such as riots, illness, discomfort & violence. The method is quite simple. For illness, you simply need to make an "Illness Tape". With a cassette recorder, tape the sounds of people coughing, sneezing, clearing their throat, moaning and sniffling. Pay this tape in a frequented public space so that your "Illness Tape" is loud and quiet enough to blend into the general banter of the room. You may notice your companion is feeling a bit under the weather later that day or night. Rather sardonically, when asked if these same techniques could be applied to affirmative, hopeful, acts Burroughs just replies, "Maybe!". Perhaps repeat the above, but instead of an illness tape, make a "Love Tape". Or, "Lust Tape".
I'm preparing to stop for now, but my next installment will be about how, after meditating, the world appears hopelessly chaotic, concerned with trivia and endlessly distracted. The contentment and ignorance of the common people allows for the most vile and brutal segments of the population to act in a bizarre netherworld of "nonexistence". The common people are simply unaware that people are engaged in such anti-social behavior. Homosexuality & drug-addiction, at one point in time, were once harbingers of the eschaton. Now it is Snuff Films and Monarch Programming.
There is also the issue of the audience as voyeur. The artist is paid to be human by the goyim, who have forsaken their humanity - often voluntarily. They unconsciously regret this decision, their soul longing for connection to their Lord, and, in a pathetic attempt to regain their soul, if only for 2 minutes and 50 seconds, they gladly give their toilet paper money, which represents the totality of their existence, to the same faceless corporation that is responsible for their enslavement. Most importantly, the audience is continually presented with increasing grotesque depictions of themselves and the world. And you wonder why Paul committed suicide... Even Hitler didn't want to be Hitler...
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Post by seasaltcaramel on Jan 8, 2016 22:50:23 GMT -5
La Monte Young - Voices and Sinewaves, 31 VII 69 10:26 - 10:49 PM
"La Monte Young and Marian Zazeela. From the album known as "The Black Album", 1969. This work was recorded at the date and time indicated in the title, at Galerie Heiner Friedrich, München 31 VII 69 10:26-10:49 PM is a section of the longer work: Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals Ornamental Lightyears Tracery."
Map Of 49's Dream
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Post by beatlas231 on Jan 11, 2016 9:20:51 GMT -5
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Post by B on Jan 11, 2016 12:53:28 GMT -5
Hello, B; Could you explain your newer post a little bit more ? I try hard to follow but when I visit here and try to grasp what you and beatlas231 write/wrote here in this thread, I get confused. I'm not sure why; its been said that confusion is a 'protection device' to keep you from something that may be harmful or upsetting. Sure, that'll be laughable to some but to me I always seem to need to read some posts over and over in order to get up to speed. So please help those of us slower ones understand what you're saying. I appreciate it because like you I want to get absolute understanding of what went on with these guys and what or how they pulled it off. Whatever that was that they pulled off. Thank you and thanks beatlas231. Hi bandi, I will respond when I have some time. I am very busy right now, and haven't had much time to devote to this page.
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Post by beatlas231 on Jan 11, 2016 14:08:38 GMT -5
its been said that confusion is a 'protection device' to keep you from something that may be harmful or upsetting. Sure, that'll be laughable to some but to me I always seem to need to read some posts over and over in order to get up to speed.. That's the key to this entire thing, you See.. We haven't even officially "Pulled" anything off yet just for the fact that we're not talking about just the Past. Now, it's easier for me to talk to you without "channeling" inner thoughts (which is why it's confusing to many) BUT at the same time, I can tell you (and I have) what the actual Revelation is and it gets thrown under the bust just a little bit.. Now, FORGET about the Paul replacement theory -- ERASE it out of the equation. Take a look at what's going on outside of this forum and just think about it for a second, why in the blue hell is everything going to hell in a handbasket? ISIS? Racism? Mass Shootings? Hm, what else am I missing -- OH, confusion! Gender confusion... Why is everyone suddenly being born one way but feeling another? The most bizarre part about this entire thing is the one thing that just popped into my mind, and actually it explains ALL of it. OK, I take that back -- maybe there's much more to explain
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Post by beatlas231 on Jan 13, 2016 4:04:49 GMT -5
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thenumbernine
Hard Day's Night
all you need is love (and money)
Posts: 7
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Post by thenumbernine on Jan 15, 2016 9:24:50 GMT -5
Reported by Jack Cloherty, Pierre Thomas and Jason Ryan: FBI files released today reveal that long-time Beatle John Lennon and his family were targeted in a $100,000 extortion plot in 1977, three years before Lennon’s murder. “WE ARE THE TERRORISTS THE FALN PUERTO RICAN INDEPENDENCE MOVEMENT,” a letter dated Nov. 29, 1977, announced. “This letter is a positive (THREAT) to your life. …” The letter demanded that Lennon leave $100,000 in “a strong package” with the ” clerk” by the front entrance of “Dakota House,” in New York City, where Lennon, Yoko Ono and their son lived at the time. It was the first in a series of letters – all in fractured English – that threatened the singer and his family with kidnapping or death if the demand for $100,000 was not met. “You have exact nine day’s from (sic) the date of this letter to decide & to get the money,” the letter instructed. It also warned Lennon not to contact the FBI or the police, “So don’t try to play any trick to us because we are good preparedly for it.” An internal FBI memo also released today shows Lennon did, in fact, go to the Bureau. “On December 1, 1977, John Lennon, member of the Beatles rock group, advised he received a special delivery letter,” the FBI memo said. “The letter threatened Lennon and his family and demanded $100,000 to be ready by December 9, 1977.” That Lennon turned to the Bureau for help is a bit ironic, since the singer had complained in the early 1970s that the FBI had tapped his phones and followed him, and been actively trying to get him deported because of his work as a peace activist. Lennon did not comply by the Dec. 9, 1977, payoff deadline, so the would-be extortionists sent him another letter, on Dec. 19. “On Dec. 9,” it said, “at 11 p.m., your building was surrounded by 23 armed man’s of our troop, it was just for in case of any ambush.” The letter says the extortionist even called Lennon’s apartment at 12:15 a.m., “and we spoke to (DELETED) for about two minutes, she try to sell us a story, but we are grownup people and we didn’t buy it.” Curiously, however, the extortionists close the letter not with more threats but by saying ,”This is Christmas time, do your normal life, don’t be afraid is no body outside looking for you, on this you can have our trust.” There was more correspondence, with additional threats, primarily suggesting that Lennon or a family member would be kidnapped or killed if the demands were not met. But in the end, nothing happened. T The FBI today cannot say whether the Lennon extortionist had ever been identified or arrested. Beatle John Lennon Threatened in Extortion Plot, Says FBI
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Post by beatlas231 on Jan 19, 2016 3:45:42 GMT -5
2:47 "John's opening words were SHOOT ME"
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Post by seasaltcaramel on Jan 19, 2016 4:59:37 GMT -5
2:47 "John's opening words were SHOOT ME"
The bicameral mind.
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Post by beatlas231 on Jan 19, 2016 6:48:07 GMT -5
2:47 "John's opening words were SHOOT ME"
The bicameral mind.
lol
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Post by seasaltcaramel on Jan 21, 2016 4:53:13 GMT -5
Ira Cohen - Ira Cohen (USA), Stellar witness before the heart of dawn, 1976. Photographic print (edition of 25), 48 x 33 cm October Gallery, 24 Old Gloucester Street, Bloomsbury, London WC1N 3AL
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Post by beatlas231 on Feb 17, 2016 3:56:19 GMT -5
Age is just a Number, Right?
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Post by beatlas231 on Mar 24, 2016 16:01:38 GMT -5
invanddis.proboards.com/thread/5586?page=4&scrollTo=115909as much as I hate looking into all of these theories about "everyone's mother should know" we've all been replaced (which is true, but that's another tale) it was somewhat confusing looking at how many people are currently seeking direction, or another Lead.. then it just hit me; i'm thinking about THE past but I'm forgetting to mention MY past aswell. infact, i was so scared of my past that i've been forbidden to even allow myself to think about it - that is, until now.. iamaphoney.blogspot.com/2009/02/unreal-phonies.htmlwhat a bright looking guy! and he wasn't even iamaphoney/related at first. let's look at what had been released after this date; Want to know where the RevelAtion is/was? It's OUT There alright,
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Post by beatlas231 on Mar 29, 2016 2:49:18 GMT -5
The basis of the Rumor itself was to "find themselves" in the future. Both of them were for it, but it involves death and being born again. John thought it would have been Paul, so he was the one to go ahead and put clues out there and give the impression that "Paul is dead"
It wasn't until after all the rumor exploded that realization was made. Hence the breakdown in friendship and communications leading towards breakup. The clock was ticking and that lead to paranoia, even realizing Yoko was just a distraction from it all.
Let's not forget that women weren't all that attractive back in the day. Yes, they were with every different type of female you could be with. HIM wanted to be with a female icon -- a Marylin Monroe. Cyn was a nice piece herself though, making the connection. Once Yoko appeared, everything from looks and style were there. She was the perfect woman and there was a genuine intense love. I remember the feeling of being in love; a feeling I have not had since -- my desire is to feel that way again for someone
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Post by beatlas231 on Jun 15, 2016 22:16:09 GMT -5
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Post by beatlas231 on Jul 24, 2016 8:42:08 GMT -5
The (F)Tall Man
(that muzak)
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Post by beatlas231 on Jul 24, 2016 8:46:29 GMT -5
beatlas231 wrote: The spiral began for "Bill" with the entire Manson murders----------------- The Downward Spiral en.wikipedia.org/wiki/The_Downward_Spiral"The Downward Spiral is the second studio album by American industrial rock band Nine Inch Nails, released March 8, 1994, on Interscope Records. It is a concept album detailing the destruction of a man, from the beginning of his "downward spiral" to his attempt at suicide.... Reznor moved to 10050 Cielo Drive, Benedict Canyon, Los Angeles in Beverly Hills, California the following year, where actress Sharon Tate was murdered by members of the Manson Family. It was used as a studio called "Le Pig" for recording Broken and The Downward Spiral with collaborations from other musicians...." Okay. High time for a meandering, moderate to severely well-researched, Caramel. The way people refer to a Jackson Pollack painting as a Pollack, this is a Caramel: When I was reading "The Family" - by Ed Sanders of the Fugs - I remember being struck by a reference to a meeting place called "The Spiral Staircase". It was maybe half a page of information, essentially saying nothing more than Manson and Family would spend time at this house along a highway in the desert. & that Sanders suspected it was related to the Process. This was in 1968, before the general Freak-out. A few years after Sanders published his book a private investigator, Maury Terry, began following the "Son Of Sam" murders*. He came to believe that David Berkowitz did not act alone. More importantly, over time - his investigation lasted almost 10 years - Terry came to the startling conclusion that not only did it seem likely the Son of Sam was not one person instead a cult of some sort, but it seemed this "cult" had a lineage that went back to Manson & the Family. Trying to track down and follow through any leads he encountered, Terry was given information about a person he refers to as "Manson II", in his book "The Ultimate Evil". His initial theory was Manson II was the person that took over the cult after Charlie went to prison. That this person had moved from L.A. to New York in the middle-70s and began directing a new group of young people to murder. However, as his research progress, Terry began to believe that the person he referred to ask Manson II may have, in fact, predated Charlie in terms of involvement in murder, drugs, and the occult. That Manson II was actually the one in charge of Manson and the Family, the Zodiac Killer, the Son of Sam and, in the mid 80s, the "Death-mask Murders". The Death Mask murders reveal a current that should not have been revealed, because it provides a vital clue, and scenario. In 1985 a boy was found on in estate in New York - in the Hamptons, I'm not mistaken. The victim was found wearing a black leather BDSM mask and was on the property of the father of a wealthy art dealer, Andrew Crispo. Crispo, a homosexual, was a prominent art dealer in NYC and when news of the murder shed light on his activities it became evident something awful was going on in and around his gallery. It came out he was heavily involved in drug trafficking, money laundering, and - sensationally played up by the media - homosexual BDSM play. Later it came out that Crispo may have been involved in the production of Snuff Films, which were commissioned by wealthy clients. The book "Bag of Toys" is considered the definitive source on the subject, and was reviewed in a New York Times in 1992, "There Was Something Creepy About The Gallery". Nine Inch Nails - Pinion (From the Broken Video) I'm going to continue this later, but I will direct your attention to this NIN video & also toward it's director, Peter Christopherson - of Throbbing Gristle, & Coil. It's worth noting Trent Reznor named a group after Coil's first EP, "How To Destroy Angels; Ritual Music For The Accumulation Of Male Sexual Energy". Equally pertinent, Christopherson was prominent in Hipgnosis, the English design collective. My next post will focus on Transgressive Art, and how it relates to Paul's death. More importantly, how confusing an audience, or inciting fear, has been a common theme in "Modern" Art since the 1960s, beginning with the work of John Cage and his philosophical offspring, the Fluxus movement+. This line of inquiry leads directly to the idea of "Weaponized Art", or "Weaponized Culture". A question until I post again; Why is it underground movements tend to be confounding to their audiences & participants and focus so heavily on insanity & violence? * I've always held onto the image from the movie, "The Summer of Sam", of a punk musician reading the Sam letters from the Daily News as lyrics to a song. + The next post will focus more on Art, as opposed to serial killers. The idea an artists psychological profile is eeriely similar to a serial killer or a person in the throes of mania. We know very well, who we ARE. So we hold it down, 'till Summer startsBig dreams, how we plan, to take over the Planet
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Post by beatlas231 on Jul 24, 2016 8:55:09 GMT -5
I AM Lazareth, come from the DEAD.
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