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Post by B on Sept 3, 2008 13:37:54 GMT -5
Interesting video for conspiracy theorists. Love Is Here (Ringo/Paul)www.youtube.com/watch?v=g2mic9rRefAForever takes so long You turn around it's gone Everybody's here But never for too long The door of willingness Will one day open For everyone Time will always heal What the broken-hearted feel The poet's say it's so But I'm not sure it's real I only know the answer Is inside me And everyone Chorus: Love is here Everywhere it's calling If you hear Love is opening your heart It will appear Love is Love is here The quiet helps me stand A spirit guides my hand And that is how I know That there's a bigger plan This world is not for me And you alone It's for everyone (Chorus) A war will still go on But love will come on strong You have to look inside To see where you've come from I only wish For nothing less Than everything Love is Love is here Love is Love is love
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Post by seasaltcaramel on Nov 1, 2012 18:10:09 GMT -5
mean mr. mustard is my favorite beatles song. he is such a miser. now ringo has a big nose. so does john. but ringo comes to mind first when i think beatles and then nose. which i think is a key of some sort or another. and if you were to take that as a pun i would be supreme embarassment. i would be. but the ten bob. its been blown up the miser's nose. do you suppose its snuff? have you ever seen an old man snort snuff in public and think he was really gone then realize its snuff? well, neither have i. polythene liked to dress in polythene. the most evil thing came into my stream of consciousness. in the satyricon daze was a one year old child ever offered - surely on some level the thought itself had an effect. its likely lucy was terrifying on those levels. how could she help it? a real strong early technology vibe. brian with the fireman's hat and beatles haircut. feeding goats and i think of andy kaufman's ghost. all i can think about is a compass drawing a half circle then lines going from the center every few degrees. as an image it has something to do with mr. kaufman himself and winston o'boogie. never underestimate the influence of the sea and the lore and lure of a life at sea. in a storm something must have been imprinted long ago. leviathan. ahab's speech to starbuck when he reveals his master plan. the evil delight of discovering the chief is insane and there is no authority to keep the id of the group in check. total abberation to turn them all into misers in the end. nailing the sun to the mast and sealing your fate. its a kind of puzzling story arc but it seems clear all the actors are very aware of one another. in fact the simple limitation of not being on the planet at the same time has revealed just how simple this limitation is. or. appears to be. a greater mystery to be sure. perhaps the mind reads it the wrong way. nothing is real. its an illusion in other words. this is the error. nothing as a non experience - the void - is real. our world could be destroyed. our galaxy annihilated returned to this first state nothing. underneath perhaps enveloping the machinery. existence. until the end. entropy is a motherfucker.
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Post by seasaltcaramel on Dec 9, 2012 14:22:05 GMT -5
noiboston.org temple 11. has very little to do with this: "Frank Marshall Davis wrote a scandalous memoir-novel under the pseudonym Bob Greene, one chapter of which is devoted to the Bob Greene and his wife having sex with a thirteen year old girl, according to a British website (http://www.telegraph.co.uk/news/newstopics/uselection2008/barackobama/2601914/Frank-Marshall-Davis-alleged-Communist-was-early-influence-on-Barack-Obama.html) on 24 August. According to the British website, "Mr. Davis (writing as Greene) explains that although he has “changed names and identities…all incidents I have described have been taken from actual experiences." Please note that the fictional character Bob Greene, not Davis, alleges that incidents were taken from actual experiences. In a same day report citing the British website, "Accuracy In Media" (AIM) reported that Edgar Tidwell, an "expert in the life and writing of Davis" confirms that Frank Marshall Davis wrote "Sex Rebel: Black" as a semi-autobiographical novel. Despite Tidwell's expert opinion that the novel was SEMI-autobiographical, AIM's Cliff Kincaid escalated accusations against Davis by falsely claiming he was a sex pervert (http://www.aim.org/aim-column/obamas-red-mentor-was-a-pervert/) in their 24 August report. (Kincaid falsely attributed the "pervert" claim to the British website.) On 14 October, AIM again escalated the charges by falsely claiming Davis was an "admitted child molester" (http://www.aim.org/aim-column/was-a-communist-obamas-sex-teacher/). There are at least four disclaimers that shield Frank Marshall Davis from literal attribution of this novel: a. All memoir-novels, whether pornographic (e.g., John Cleland's "Fanny Hill"), satirical (e.g., Jonathan Swift's "Gulliver's Travels"), or other genre (e.g., Daniel Defoe's "Moll Flanders"), are allegedly true but nevertheless fiction. The fictional authors of memoir-novels, such as "Bob Greene," claim that such incidents actually occurred although they, too, are fictional. In a broader sense, ALL first-person narrative novels, such as Nabokov's "Lolita" and Mark Twain's "Huckleberry Finn," claim authenticity despite obviously being fiction. To claim that some memoir-novels are literally true (if convenient for one's political agenda), while acknowledging that other memoir-novels are truly fiction, is intellectual dishonesty. Please note that Jonathan Swift (writing as fictional character Gulliver in memoir-novel "Gulliver's Travels") described various encounters with Lilliputians and other characters, and Vladimir Nabokov (writing as fictional character Humbert Humbert in memoir-novel "Lolita") described various encounters with Lolita and other characters. Upon what basis can anyone believe that Davis's story is history, while other first person narrative memoir-novels are fantasy? To literally attribute memoir-novel character Bob Greene's encounters to Davis, but not attribute the encounters of memoir-novel characters Gulliver and Humbert Humbert to their respective authors, indicates a flagrantly biased double standard to smear Barack Obama through guilt-by-association. b. Scandalous memoirs such as "Sex Rebel: Black (Memoirs of a Gash Gourmet)" have been a literary genre for centuries. According to Wikipedia, such scandalous memoirs are allegedly factual, but are largely invented. The title, alone, qualifies it as a "scandalous memoir." It is the epitome of dishonesty to claim, without empirical evidence, that fictional characters' experiences actually occurred in their author's real life . c. The fictional character Bob Greene, not author Frank Marshall Davis, "changed names and identities" of other characters. According to dictionary.com, "identity" means "condition or character as to who a person or what a thing is: a case of mistaken identity." Changing name AND identities means changing names AND other "condition or character as to who a person or what a thing is," which may include biographical data such as age. Further, "taken from actual experiences" does not mean they are accurate representations of any experiences. d. Edgar Tidwell, the expert on the life and writing of Frank Marshall Davis, says the book is "semiautobiographical," which (according to dictionary.com) means "1. pertaining to or being a fictionalized account of an author's own life. 2. pertaining to or being a work of fiction strongly influenced by events in an author's life." "Sex Rebel: Black" is therefore a fictionalized account of events in Davis's life. In an honest evaluation, any of these disclaimers should protect the author from literal interpretation. The combination of all four should provide absolute protection from any culpability. Unfortunately, Davis's accusers are dishonest. Like Mike Nifong, the disgraced ex-D.A. in the Duke lacrosse case, their campaign to demonize their target ignores exculpatory evidence in their reckless rush to judgment. In order to smear Barack Obama through guilt-by-association with Frank Marshall Davis, they are virtually lynching Davis by grossly misrepresenting his character and influence. Such misrepresentation may be symptomatic of the accuser's own psychological disorder, indicated by projection of the accuser's own pedophilic fantasies onto the author. In "Sex Rebel," Davis's Bob Greene (not unlike Nabokov's Humbert Humbert) hesitates at a pubescent girl's sexual invitation, but foolishly relents. Like "Lolita," this faux foreword is written by a Ph.D impersonator who details the psychological significance of the memoir. Like Nabokov, Davis wanted to write under a pseudonym to shield his reputation, but felt compelled to reveal his authorship. As a result, however, Davis has been posthumously accused of pedophilia, while "Lolita" is "considered by many to be one of the finest novels written in the 20th century." In 1998, it was named the fourth greatest English language novels of the 20th century by the Modern Library," despite also being initially dismissed as pornography, according to Wikipedia." wikileaks.org/wiki/Talk:Frank_Marshall_Davis%27_Sex_Rebel:_Black,_1968
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