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Post by ramone on Aug 11, 2008 14:39:05 GMT -5
So, how many of us here feel 'paul' is the same guy from the breakup of the beatles 'till now? Raise your hands.
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Post by MikeNL on Aug 11, 2008 15:04:25 GMT -5
still don't know... in some aspects he seems genuine, but in other not.
it's like a replacement heart, and the body doesn't know if it's alien or not, or at least something like that... ;D
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Post by theunknownbastard on Aug 11, 2008 15:40:24 GMT -5
I would even go as far to say that the Paul we know now is the same Paul that was born as James Paul McCartney in 1942. Of course, on this board only a few people would agree with me.
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Post by paulumbo on Aug 11, 2008 16:17:57 GMT -5
Same guy. I use an unusual way to compare Faul photos: I look at them upside down. It sounds odd, but when you are exhausted at looking at the photos right side up and Paul and all the Fauls start looking alike, looking at the photos upside down gives you a fresh perspective and you can see more similarities and differences between them. I used a Faul photo from his ECCE CORE MEUM cd because he had had a recent face-lift or Botox or something and his face looks relatively unlined. I compared that with a couple of 1970 Faul photos. Same man.
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Post by thisone on Aug 11, 2008 16:33:28 GMT -5
I dont know who *Paul* was in the first place, never mind the guy now!
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Post by Red Lion on Aug 11, 2008 17:36:12 GMT -5
Apollo,
How many entities have played the role of "Paul McCartney" since 1970?
RL
RL,
Public eye two, public ear three.
Apollo
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Post by iameye on Aug 11, 2008 19:19:21 GMT -5
Lewis Carroll ยป The Three Voices
The Three Voices
The First Voice
He trilled a carol fresh and free, He laughed aloud for very glee: There came a breeze from off the sea:
It passed athwart the glooming flat - It fanned his forehead as he sat - It lightly bore away his hat,
All to the feet of one who stood Like maid enchanted in a wood, Frowning as darkly as she could.
With huge umbrella, lank and brown, Unerringly she pinned it down, Right through the centre of the crown.
Then, with an aspect cold and grim, Regardless of its battered rim, She took it up and gave it him.
A while like one in dreams he stood, Then faltered forth his gratitude In words just short of being rude:
For it had lost its shape and shine, And it had cost him four-and-nine, And he was going out to dine.
"To dine!" she sneered in acid tone. "To bend thy being to a bone Clothed in a radiance not its own!"
The tear-drop trickled to his chin: There was a meaning in her grin That made him feel on fire within.
"Term it not 'radiance,'" said he: "'Tis solid nutriment to me. Dinner is Dinner: Tea is Tea."
And she "Yea so? Yet wherefore cease? Let thy scant knowledge find increase. Say 'Men are Men, and Geese are Geese.'"
He moaned: he knew not what to say. The thought "That I could get away!" Strove with the thought "But I must stay.
"To dine!" she shrieked in dragon-wrath. "To swallow wines all foam and froth! To simper at a table-cloth!
"Say, can thy noble spirit stoop To join the gormandising troup Who find a solace in the soup?
"Canst thou desire or pie or puff? Thy well-bred manners were enough, Without such gross material stuff."
"Yet well-bred men," he faintly said, "Are not willing to be fed: Nor are they well without the bread."
Her visage scorched him ere she spoke: "There are," she said, "a kind of folk Who have no horror of a joke.
"Such wretches live: they take their share Of common earth and common air: We come across them here and there:
"We grant them--there is no escape - A sort of semi-human shape Suggestive of the man-like Ape."
"In all such theories," said he, "One fixed exception there must be. That is, the Present Company."
Baffled, she gave a wolfish bark: He, aiming blindly in the dark, With random shaft had pierced the mark.
She felt that her defeat was plain, Yet madly strove with might and main To get the upper hand again.
Fixing her eyes upon the beach, As though unconscious of his speech, She said "Each gives to more than each."
He could not answer yea or nay: He faltered "Gifts may pass away." Yet knew not what he meant to say.
"If that be so," she straight replied, "Each heart with each doth coincide. What boots it? For the world is wide."
"The world is but a Thought," said he: "The vast unfathomable sea Is but a Notion--unto me."
And darkly fell her answer dread Upon his unresisting head, Like half a hundredweight of lead.
"The Good and Great must ever shun That reckless and abandoned one Who stoops to perpetrate a pun.
"The man that smokes--that reads the Times - That goes to Christmas Pantomimes - Is capable of ANY crimes!"
He felt it was his turn to speak, And, with a shamed and crimson cheek, Moaned "This is harder than Bezique!"
But when she asked him "Wherefore so?" He felt his very whiskers glow, And frankly owned "I do not know."
While, like broad waves of golden grain, Or sunlit hues on cloistered pane, His colour came and went again.
Pitying his obvious distress, Yet with a tinge of bitterness, She said "The More exceeds the Less."
"A truth of such undoubted weight," He urged, "and so extreme in date, It were superfluous to state."
Roused into sudden passion, she In tone of cold malignity: "To others, yea: but not to thee."
But when she saw him quail and quake, And when he urged "For pity's sake!" Once more in gentle tones she spake.
"Thought in the mind doth still abide That is by Intellect supplied, And within that Idea doth hide:
"And he, that yearns the truth to know, Still further inwardly may go, And find Idea from Notion flow:
"And thus the chain, that sages sought, Is to a glorious circle wrought, For Notion hath its source in Thought."
So passed they on with even pace: Yet gradually one might trace A shadow growing on his face.
The Second Voice
They walked beside the wave-worn beach; Her tongue was very apt to teach, And now and then he did beseech
She would abate her dulcet tone, Because the talk was all her own, And he was dull as any drone.
She urged "No cheese is made of chalk": And ceaseless flowed her dreary talk, Tuned to the footfall of a walk.
Her voice was very full and rich, And, when at length she asked him "Which?" It mounted to its highest pitch.
He a bewildered answer gave, Drowned in the sullen moaning wave, Lost in the echoes of the cave.
He answered her he knew not what: Like shaft from bow at random shot, He spoke, but she regarded not.
She waited not for his reply, But with a downward leaden eye Went on as if he were not by
Sound argument and grave defence, Strange questions raised on "Why?" and "Whence?" And wildly tangled evidence.
When he, with racked and whirling brain, Feebly implored her to explain, She simply said it all again.
Wrenched with an agony intense, He spake, neglecting Sound and Sense, And careless of all consequence:
"Mind--I believe--is Essence--Ent - Abstract--that is--an Accident - Which we--that is to say--I meant--"
When, with quick breath and cheeks all flushed, At length his speech was somewhat hushed, She looked at him, and he was crushed.
It needed not her calm reply: She fixed him with a stony eye, And he could neither fight nor fly.
While she dissected, word by word, His speech, half guessed at and half heard, As might a cat a little bird.
Then, having wholly overthrown His views, and stripped them to the bone, Proceeded to unfold her own.
"Shall Man be Man? And shall he miss Of other thoughts no thought but this, Harmonious dews of sober bliss?
"What boots it? Shall his fevered eye Through towering nothingness descry The grisly phantom hurry by?
"And hear dumb shrieks that fill the air; See mouths that gape, and eyes that stare And redden in the dusky glare?
"The meadows breathing amber light, The darkness toppling from the height, The feathery train of granite Night?
"Shall he, grown gray among his peers, Through the thick curtain of his tears Catch glimpses of his earlier years,
"And hear the sounds he knew of yore, Old shufflings on the sanded floor, Old knuckles tapping at the door?
"Yet still before him as he flies One pallid form shall ever rise, And, bodying forth in glassy eyes
"The vision of a vanished good, Low peering through the tangled wood, Shall freeze the current of his blood."
Still from each fact, with skill uncouth And savage rapture, like a tooth She wrenched some slow reluctant truth.
Till, like a silent water-mill, When summer suns have dried the rill, She reached a full stop, and was still.
Dead calm succeeded to the fuss, As when the loaded omnibus Has reached the railway terminus:
When, for the tumult of the street, Is heard the engine's stifled beat, The velvet tread of porters' feet.
With glance that ever sought the ground, She moved her lips without a sound, And every now and then she frowned.
He gazed upon the sleeping sea, And joyed in its tranquillity, And in that silence dead, but she
To muse a little space did seem, Then, like the echo of a dream, Harked back upon her threadbare theme.
Still an attentive ear he lent But could not fathom what she meant: She was not deep, nor eloquent.
He marked the ripple on the sand: The even swaying of her hand Was all that he could understand.
He saw in dreams a drawing-room, Where thirteen wretches sat in gloom, Waiting--he thought he knew for whom:
He saw them drooping here and there, Each feebly huddled on a chair, In attitudes of blank despair:
Oysters were not more mute than they, For all their brains were pumped away, And they had nothing more to say -
Save one, who groaned "Three hours are gone!" Who shrieked "We'll wait no longer, John! Tell them to set the dinner on!"
The vision passed: the ghosts were fled: He saw once more that woman dread: He heard once more the words she said.
He left her, and he turned aside: He sat and watched the coming tide Across the shores so newly dried.
He wondered at the waters clear, The breeze that whispered in his ear, The billows heaving far and near,
And why he had so long preferred To hang upon her every word: "In truth," he said, "it was absurd."
The Third Voice
Not long this transport held its place: Within a little moment's space Quick tears were raining down his face
His heart stood still, aghast with fear; A wordless voice, nor far nor near, He seemed to hear and not to hear.
"Tears kindle not the doubtful spark. If so, why not? Of this remark The bearings are profoundly dark."
"Her speech," he said, "hath caused this pain. Easier I count it to explain The jargon of the howling main,
"Or, stretched beside some babbling brook, To con, with inexpressive look, An unintelligible book."
Low spake the voice within his head, In words imagined more than said, Soundless as ghost's intended tread:
"If thou art duller than before, Why quittedst thou the voice of lore? Why not endure, expecting more?"
"Rather than that," he groaned aghast, "I'd writhe in depths of cavern vast, Some loathly vampire's rich repast."
"'Twere hard," it answered, "themes immense To coop within the narrow fence That rings THY scant intelligence."
"Not so," he urged, "nor once alone: But there was something in her tone That chilled me to the very bone.
"Her style was anything but clear, And most unpleasantly severe; Her epithets were very queer.
"And yet, so grand were her replies, I could not choose but deem her wise; I did not dare to criticise;
"Nor did I leave her, till she went So deep in tangled argument That all my powers of thought were spent."
A little whisper inly slid, "Yet truth is truth: you know you did." A little wink beneath the lid.
And, sickened with excess of dread, Prone to the dust he bent his head, And lay like one three-quarters dead
The whisper left him--like a breeze Lost in the depths of leafy trees - Left him by no means at his ease.
Once more he weltered in despair, With hands, through denser-matted hair, More tightly clenched than then they were.
When, bathed in Dawn of living red, Majestic frowned the mountain head, "Tell me my fault," was all he said.
When, at high Noon, the blazing sky Scorched in his head each haggard eye, Then keenest rose his weary cry.
And when at Eve the unpitying sun Smiled grimly on the solemn fun, "Alack," he sighed, "what HAVE I done?"
But saddest, darkest was the sight, When the cold grasp of leaden Night Dashed him to earth, and held him tight.
Tortured, unaided, and alone, Thunders were silence to his groan, Bagpipes sweet music to its tone:
"What? Ever thus, in dismal round, Shall Pain and Mystery profound Pursue me like a sleepless hound,
"With crimson-dashed and eager jaws, Me, still in ignorance of the cause, Unknowing what I broke of laws?"
The whisper to his ear did seem Like echoed flow of silent stream, Or shadow of forgotten dream,
The whisper trembling in the wind: "Her fate with thine was intertwined," So spake it in his inner mind:
"Each orbed on each a baleful star: Each proved the other's blight and bar: Each unto each were best, most far:
"Yea, each to each was worse than foe: Thou, a scared dullard, gibbering low, AND SHE, AN AVALANCHE OF WOE!" lewis carrol
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Post by ramone on Aug 11, 2008 23:36:52 GMT -5
what is your opinion, Ramone? I asked first. lol
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Post by ramone on Aug 12, 2008 0:12:27 GMT -5
Apollo,
How many entities have played the role of "Paul McCartney" since 1970?
RLRL, Public eye two, public ear three. Apollo My first thought is it's the same guy the whole time. But I'm glad RL threw this in. It's possible the bearded dude plays it into '70. Then someone else takes over from there. so apollo would be correct answering the question that way. There's two (from '70 - technically) But, then again, there's the Linda factor. She marries unbearded 'paul'. In comes the beard. Then no beard after that. going into the wings era. Are they really revolving door different guys into her life whenever? I know it happened with Jane, but that was transition time and probably requested by JPM himself. (speculating) Linda and 'Paul' seemed pretty tight. Also, there was little heather. She evidently thought this was the same step dad from the beginning. The guy she goes to the studio with. The guy on the farm. The guy in wings. The other kids count in this, but she was the first to see all this right thru. But, this doesn't mean acv is wrong. There could still be two in the public eye. Linda's paul. and an alternate used at different (but limited) times. There are pics out there of 'paul' that make me wonder when compared. Some are at least questionable as to if they are, in fact, the same person. And I'm talking fairly recently. Remember, they're supposed to look the same. Even if some surgery or whatever is needed. Not like they they've never done THAT before. Remember the stalin thread? That double didn't come to light until now really. If i remember, even gov't guys didn't realize. Tricky stuff. If you're told it's a baseball and not a softball, well of course it's a baseball. (a thought drifted from other thread) found this: www.neatorama.com/2008/04/18/stalins-juggling-body-double-finally-tells-his-story/See link also on that page for details.
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Post by eyesbleed on Aug 12, 2008 7:20:35 GMT -5
You mean Paul the shapeshifter? I love the way he can grow & shrink himself. And that head made of soft clay that can be made into different shapes must be fun, but I really like the way he can move his eyeball sockets around! That Paul's quite a guy alright!!
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Post by paulumbo on Aug 12, 2008 16:37:31 GMT -5
Red Lion, would one of the public ear Pauls be the real one?
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Post by LOVELYRITA on Aug 12, 2008 18:25:28 GMT -5
So, how many of us here feel 'paul' is the same guy from the breakup of the beatles 'till now? Raise your hands. Well since you say since the breakup, which is 1970, then I would say it's the same Faul that you see today. It's the period of 67-70 that has some questioning that there was at least one other Faul used, probably to see who would "work" better as the replacement.
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Post by Red Lion on Aug 12, 2008 22:09:11 GMT -5
Red Lion, would one of the public ear Pauls be the real one?
Asked but not answered........ some of Chaos and Creation could be a strong possibility for the real Paul though.
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Post by Red Lion on Aug 12, 2008 23:16:20 GMT -5
No from the French prison, after Knotts beheaded him.
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Post by LOVELYRITA on Aug 13, 2008 0:01:38 GMT -5
We must understand that the real JPM was kidnapped by aliens and sent to colonize Mars, whilst Bill fell to earth to take on the form of JPM, being that "Bill" is a shape-shifting life form from the dark side of the moon.
That was one of the final stories from the dearly departed tabloid "Weekly World News".
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Post by mommybird on Aug 13, 2008 11:27:14 GMT -5
Weekly World News is no more Ohhhh, the humanities !!!
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Post by paulumbo on Aug 13, 2008 16:07:29 GMT -5
As we work our way through the tangle of this mystery, the truth will come out. But if anyone has proof that Paul died, this is the place to post it.
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