Floyd-Oz Synchro

[JoJo]

I imagine many have heard of this, there has been an idea floating around the net (and perhaps pre-net) that if you play Floyd's "The Dark Side of the Moon" in synch with "The Wizard of Oz", there seems to be a synchro with the music and lyrics and the story and dialogue of the movie. I have a good copy of the movie nicely done this way, with subtitles so you can follow what's going on.

Someone here: www.eeggs.com/items/14713.html said that the tornado scene synchs up really well with "The Great Gig in the Sky". (I agree)

But this post was something I HAD to try:

i just thought this may be of interest...

if you play the track "breath" backwards you can here this...

here the armies are with jim
im singin the last of them
not that i refrain,he would..
healthier in new york
no one under gives the last of acts this man,
and i think of its sunken ebb

and aaahhh....thats ok , war that is

"NOW PLAY BACKWARD
AND MAN RE-DEVELOP THE LAND OF OZ"

we steal our missed swa-sticker
dark was this and in his arms
healthier in new york
and our war was rich
i reckon, in me was mean

i left this here for you but,

anyway ..... breath , breath ...


so i think somebody back in the late 70's spun the album backwards..
discoverd the above tried it (putting oz wiz dark side) and there you go
the birth of the wizard of oz sync..

it is said that "what you hear when playing backwards music and words
is contraversal..but the door swings both ways.. if you record (sing) the above
alternate lyrics what you should get back when that recording is reversed is the correct lyrics to breath..
you do!!! i tried it just for fun ..

i just though i would mention that as i think it is relevant to some questions asked here...
simon(id4)
i thought this may help

So...give it a try, and have some fun, as Simon sez.

Breath backwards

[beatlies]

Maybe this was created as an evil "comfortably numb" soundtrack for The Wizard of Oz for some incredibly sinister purposes; this is from a website that covers the Cathy O'Brien story, that concerns child enslavement, torture and rape by the CIA and Pentagon:


From Dorothy to Tinker-Belle
Excerpt from Trance-Formation of America by Cathy O'Brien and Mark Phillips

The majority of my programming was Oz-theme based. This means the combination of codes, keys and triggers to access me were related to L. Frank Baum's story The Wizard of Oz. Whether or not it was Baum's intention, it is evident that his psychologically intense story was used for manipulating minds. Much of The Wizard of Oz lends itself to themes commonly used by perpetrators. For example, nearly all Multiple Personality Disorders (MPDs) have suffered the loss of pets during ritualized torture. And all of Dorothy's nightmarish experiences "over the rainbow in Oz" stemmed from her desire to risk her own life to protect her threatened pet. Abusers use this lesson to condition the victim to drop all resistance and cooperate or "I'll get you, my pretty, and your little dog (or child) too." The "over the rainbow" scramble of dreams vs. reality provides abusers with a theme by which to manipulate an MPD's subconscious perception of switching personalities. Oftentimes this theme is used to suggest a trans dimensional experience like that of Oz so that a victim will perceive the experience as "just a bad dream" like Dorothy was told upon her awakening in her own bed back in Kansas.

CIA cryptic language is manipulation of the English language such that words have a double meaning (a.k.a. 'double binds' in mental health terminology.) It works much the way as communication through "inside jokes", among people familiar with each other. Perhaps this is a reason that the government uses professional comedians as slave handlers. Since mind controlled slaves' minds function consciously through their subconscious, which has no way of discerning fantasy from reality or intended meaning from literal meaning, cryptic dual level language is especially effective. Many CIA covert operations I was involved in occurred in public. Anyone who overheard the conversation would have discerned something very different from what actually "trance-spired." For example, one of my Washington, D.C. Secret Service escorts linked arms with me like Dorothy did with her companions when walking the Yellow Brick Road. This would have appeared to be normal behavior, or even romantic, to outsiders. But to me it was a signal to "stay the course" (Bush quote) and follow directions. Arm in arm we walked through the crowded Air and Space Museum of the Smithsonian to the nearby NASA headquarters. There he read the "Service Entrance" sign on the door accentuating syllables ever so slightly so that I heard him cryptically command, "Serve-us, En-Trance."

I endured extensive mind control testing, training, and programming to prepare me for the high-level government operations I would soon be used for. Between 1980 and 1982, Alex Houston (a performer and my handler) was often booked into Oklahoma fairs, Masonic Lodges, F.O.P. Conventions, and so on, in order that I be in the vicinity of Tinker Air Force Base for programming. At Tinker, the Disney theme of Peter Pan's Never Never Land was cryptically used to further convince my child personalities that reality was fantasy, and that I would "Never grow up" due to the timelessness of my existence. I was cryptically labeled a "Tinker Belle," which signaled those-in-the-know that I had endured government military programming consistent with Tinker AFB mind control research and development. An electrified metal cage, officially referred to as a woodpecker grid but called Tinkerbell's cage at Tinker, kept me "on my toes" and "dancing" from my inescapable high voltage surroundings. My Tinker-Belle conditioning further enhanced my photographic memory through direct control for receiving and delivering government messages that amounted to a computerized compartmentalization of my brain, so to speak. I was also trained in covert criminal operations, such as international drug mule transactions for funding the Pentagon's and CIA's Black Ops Budgets.

Houston's CIA orchestrated travels in the country music industry led me to a TOP SECRET military/NASA installation at Offutt Air Force Base in Nebraska. The "you can run, but you can't hide" conditioning was deeply ingrained in my mind there through a technique that was later used on my daughter Kelly, as well as on other mind control slaves. I was taken underground to a so-called 'secret' circular room where the walls were covered with numerous screens showing satellite pictures from around the world. These satellites are referred to as the "Eye in the Sky." An Air Force official explained to me that my every move "could be monitored via satellite." On a separate four-screen viewer, he demonstrated what in retrospect was a contrived pre-recorded slide show, with the scenes changing as rapidly as he spoke and typed it into the computer.

"Where will you run?" he asked me. "To the Arctic? The Antarctic? Brazil? The mountains? The desert? The prairies? The hills of Afghanistan? The city of Kabul? Would you try to run to Cuba and live among our enemies? We can find you there. There is truly no place to run and no place to hide. The U.S. Senate? The White House? Or to your own backyard? The moon? We got you covered. You can run, but you can't hide." This had been sufficient to convince me in my suggestible state that my every move could be monitored. Kelly still believes the "Eye in the Sky" is watching her. She continues to maintain silence in the institutions due to being denied rehabilitation, but frequently speaks to the sky as though her politically affluent abusers are watching and listening.

See Trance Formation of America


Foreword to Trance-Formation of America The Most Dangerous Game-Cheney You Are What You Read-Daddy Bush Clinton Coke Lines
Project Monarch From Dorothy to Tinker-Belle The Most Dangerous Game: Revisited-Bush and Cheney Epilogue

Copyright © 2002 by Mark Phillips and Cathy O'Brien, all rights reserved

To order the book go to www.trance-formation.com

[noodles]

To me the backwards lyrics do what they always do. They mostly sound like gibberish, occasionally sound like an actual word and even more occasionally sound like what they're alleged to be saying.

I think the fact that The Wizard Of Oz synchs so well with Dark Side Of The Moon is very telling. As beatlies suggested it may be used in MK Ultra programming. Not only has Cathy O'Brien stated that Oz was used to programmed her but others have too including Cisco Wheeler.

Springmeier and Wheeler go pretty deep into Oz programming in the link below. People here may also want to check out the Lewis Caroll programming on the same link.

www.apfn.org/apfn/oz.htm

[LOVELYRITA]

Noodles, I had used that link in another forum and I had wondered that the Dark side of the moon would be the avenue to get the "hippie" generation indoctrinated with mind control using music of Pink Floyd interlaced with imagery of Oz.

L. Frank Baum was an illuminist and would make sense if he used his demonic powers to conceive such a work that not only was used in monarch slave control, but in the pop culture of middle America. How many of us watched Wizard of Oz over the years and have used lines and images from that film in everyday experiences. Like for example: when it is extremely windy, or some dangerous situation, someone makes light of it by saying "Auntie Em, Uncle Henry"....or perhaps a reference to "I'll Get you my little pretty"...or "I have a feeling we're not in Kansas anymore"....

While we may not be controlled in the way monarch slaves are, we are conditioned to things through the movies, tv and music media.

One point to mention at the end of the lenghty article link, people like Billy Graham, most known to be a very religious man in the Christian circles is not what he presents himself to be, but a freemason and illuminist and is warping the face of faith. Not trying to get religious here, but this is what the "enlightened ones" want to do with every aspect of our lives, is have these "types" placed into different aspects of lives, including religion and music, and using them to change our thinking into a paradigm shift. INstead of being Biblical, Graham is pushing the direction of faith into a one world religion.

With respect to music, the Beatles, Stones, and Pink Floyd are "types" to capture the imagination and attention of the youth and change their thinking into a new world order, an age of aquarius. This music would fit right in with their plan.

Someone with intense thinking and plenty of help from their "demonic friends" would be able to link the music with the Wizard of Oz....and be a phenominally successful album.

After all, how long was this album on the Billboard chart?

[beatlies]

goodbye yellow brick road

When are you gonna come down
When are you going to land
I should have stayed on the farm
I should have listened to my old man

You know you can’t hold me forever
I didn’t sign up with you
I’m not a present for your friends to open
This boy’s too young to be singing the blues

So goodbye yellow brick road
Where the [Bonzo] dogs of society howl
You can’t plant me in your penthouse
I’m going back to my plough

Back to the howling old owl in the woods
Hunting the horny back toad
Oh I’ve finally decided my future lies
Beyond the yellow brick road

What do you think you’ll do then
I bet that’ll shoot down your plane
It’ll take you a couple of vodka and tonics
To set you on your feet again

Maybe you’ll get a replacement
There’s plenty like me to be found
Mongrels who ain’t got a penny
Sniffing for tidbits like you on the ground

[noodles]

You may well be right, LR. I certainly find the lyrics rather questionable. Unfortunately I've not found any information on harmonic mind control so it's hard to study the music to see if it fits the formula. I'd certainly be concerned about any album that gets pushed as a drug album. That said it is a great album.

[lili]

That is one of my favorite albums. I have never thought of those lyrics in quite that way.
It's a very interesting premise to say the least.
How about "Funeral for a Friend " ?
The music in the beginning of it is rich & full of meaning. I have thought for awhile now that it's PID related somehow.

[LOVELYRITA]

Something about Pink Floyd, the ominous-ness (if that's a word) of this band. Their music is mysterious and filled with imagery that reminds me that there's more to this music than just something otherworldly.

I do believe this band was influential in many areas, and especially with the thinking and mindset of the listeners. While they may not have appeared to be marketable and cutesy as the Beatles once were, there's more to this band that meets the eye. There's a dark and mysterious tone about the entire history of this group.

[lili]

Dark Side of the Moon was created to be played while the listeners were under the influence. Whether you had smoked pot or taken LSD, DSOTM was the album on the turntable.
Don't forget YES. Their music was also very otherworldly.

[LOVELYRITA]

How about Iron Butterfly and InA Gad Da Da Vida...

btw, didn't one of their band members become part of some intelligence department and mysteriously disappear?

Funny how these musicians die untimely deaths?

We get misinformation...read this:

elvispelvis.com/philipkramer.htm

[lili]

I wouldn't know if that is misinformation or not. Maybe that is what happened. My question is WHY did he make that phone call about planning to kill himself ? What was going on in his life ?

[LOVELYRITA]

Misinformation that he was a member of Iron Butterfly in their heyday, when he actually became part of the band in the 70's after their time at the top was over...
about the rest of the situation...that is interesting.