Post by JoJo on Nov 5, 2008 17:32:32 GMT -5
Richard Warren Lipack asked me to post these pictures and accompanying text. These are pictures of murals inside what is currently Bank of America in Charlotte, NC, Nation's Bank at the time.
Ordinarily I would choose Behind The Curtain for this, but we agreed to put this material in a public area.
www.storytellersmediagroup.com/High Fresco/HIgh Fresco.htm
www.benlongfrescotrail.org/boa.html
Also go to; www.carolinaarts.com/tryon11995.jpeg
ILLUMINIST FRESCOES AT FORMER NATIONSBANK CORPORATE CENTER, CHARLOTTE, NC
(Currently the Bank of America Corporate Center)
By RICHARD WARREN LIPACK
Initially, in 1989, NCNB Bank - eventually named the NATIONSBANK headquarters, at Charlotte, NC - commissioned American artist Ben Long for a triptych, or three related works as seen in the attachments accompanying this article, for display in the bank's lobby in downtown Charlotte. Located inside the lobby of the Corporate Center, the three panels are separate frescoes that are related works which were produced by Ben Long initially in Europe (Paris, France). The final work commenced in the US, with all work conducted over almost a four-year period which ended in 1992.
The first theme, found in the first panel to the viewer's left, is officially claimed to be of the "making/building" of the construction of the 'NCNB/ NATIONSBANK Corporate Center,' but actually appears more to be an allegorical representation of the initial flourishing of culture and society - or more likely - the birth of a New World Order.
The second panel, as current official jargon claims on one site discussing these triptychs, is representative of "chaos/creativity" and features figures that were said to be seen in a "daily newscast." But a closer look appears to reveal a true visualization of more so; a coming Fourth Reich. Note the emblem of the rising Phoenix in the flag display to the right. The "six nude figures" are in contrast to the other figures "clothed" in the masks of their "social roles," so the official synopsis claims. But one must ask, when does one see "social roles" in today's media showing a person with his back against a wall facing what appears to be a firing squad - as is shown in in this middle fresco? People facing firing squads (outside of those convicted of murder and facing the death penalty in the State of Utah, where its laws sanctions such actions), just does not happen in the United States of America. This is unless of course we enter into the realm of a fascist dictate. But why was such a depiction outwardly displayed
in the center panel of the Ben Long triptych?
The appearance of 'Fallen Angels,' which rather, seems to be a more defined definition for the "six nude figures" spoken of and shown in the middle fresco of the triptych, appears to be more representative of that of Satan and his followers - i.e.; the 'Fallen Angels' as spoken of in the New Testament.
The third panel, claimed to represent "planning/knowledge" on a official website discussing the triptych, features a young boy in a mysterious black robe, and supposedly represents "innocence." Notice the pyramid. It is said to be "a traditional symbol of perfection." The pyramid is also found on the verso of the U.S. dollar bill - the latter which is represented by the words "ANNUIT COEPTIS - NOVUS ORDO SECLORUM" - or 'Announcement of a New World Order.' Also notice in the third panel the magical illuminist "Black Sun" (of Satan) directly above a limp, stringed puppet figure of a woman, which more so seems to be representative of that of a 'controlled slave.' How is it that such an apparent sinister group of elements can go unchecked and unquestioned by people walking into the lobby of what is infact the largest bank in the United States of America?
The models for the frescoes were supposedly "of friends, associates and members of the Charlotte community," as one later discussion seen on the internet of late states. Local North Carolina artists did indeed participate as models for these works, but these models really are meant to represent allegorical inclinations of a New World Order. Looking more closely at the various parts of these three works reveal many many more of the hidden machinations that the powers-that-be behind the New World Order long and hope for, but likely will not ever fully achieve.
NATIONSBANK, at the time the frescoes were completed, was the third largest bank in the US, and rumoured to have been initially a money laundering bank for the CIA. NCNB/ NATIONSBANK was eventually absorbed in September 1998 by Bank of America, and the frescoes by Ben Long are still in the now present lobby of the Bank of America. The three fresco panels appear to actually represent the New World Order, the Hegelian Theory and is also representative of the New World Order age old concept of; 'out of chaos comes order' - with even the latter according to the bank's official internet and printed releases.
You may search the web for artist Ben Long and his work at the Bank of America to find other interesting data. Please note that the scant few images that can be found for this triptych on the internet are of very low resolution and small. This is intentionally done so that no one around the world can see what infact has been depicted in detail by artist Ben Long - for this appears to be a very interesting Satanic representation of the New World Order now apparently upheld as the image representative of the biggest bank in the United States.
Interestingly it is a bank integral to the recent 2008 'U.S. Financial Bailout.' It was a 'bailout' whereby the U.S. Congress was threatened with Martial Law and strong armed into passing a 'bailout' bill that gave the Secretary of Treasury total dictatorial powers and as well, for himself and all his minions, complete anonominity from any criminal wrongdoing. Under law, Congress now has no financial oversight whatsoever in the affairs of the United States centralized banking system. A complete and systematic looting of the entire wealth of the United States has begun, all on the road to a socio-fascist order.
All of this is supported by documentation found on www.bailoutsleuth.com - which shows redackted / blackened out U.S. Treasury documents obtained under the Freedom of Information Act and posted on the site in late October 2008, following the contrived passage of the 'Banker's Bailout Bill.' This 'contrived financial collapse' was discussed and predicted in part in my 1996 book, "EPOCH MOMENTS & SECRETS - JOHN LENNON & THE BEATLES AT THE MIRROR OF MAN'S DESTINY."
Current official data states that 'permission is needed to take photographs' of these frescoes that are situate within the lobby of the Bank of America. These rare high resolution images were taken by myself back in the mid-1990's, shortly after the Ben Long fresco triptych was completed and back before the current Bank of America actually purchased Nationsbank. Please note that at about the time these frescoes were completed in 1992, the original Bank of America, this author tends to recall, had apparently gone bankrupt and went through reorganization. Now, today, the Bank of America is the largest bank in the United States. The discussion herein of the work by Ben Long commisioned by the now defunct NCNB / NATIONSBANK is not necessarily the opinion or views of the Bank of America, the current owner of the Ben Long works, nor is it the opinion of Ben Long, the artist himself.
The official address for one to go to to view the frescoes in person, at the Bank of America Corporate Center - is 100 North Tryon Street, Charlotte, NC 28202. (All images are courtesy of RICHARD WARREN LIPACK)
A few more pics:
Large versions:
www.jojoplace.org/Shoebox/Richard_Lipack/Nations_Bank/BANK1.JPG
www.jojoplace.org/Shoebox/Richard_Lipack/Nations_Bank/BANK2.JPG
www.jojoplace.org/Shoebox/Richard_Lipack/Nations_Bank/BANK3.JPG
www.jojoplace.org/Shoebox/Richard_Lipack/Nations_Bank/BANK4.JPG
www.jojoplace.org/Shoebox/Richard_Lipack/Nations_Bank/BANK5.JPG
www.jojoplace.org/Shoebox/Richard_Lipack/Nations_Bank/BANK6.JPG
Ordinarily I would choose Behind The Curtain for this, but we agreed to put this material in a public area.
www.storytellersmediagroup.com/High Fresco/HIgh Fresco.htm
www.benlongfrescotrail.org/boa.html
Also go to; www.carolinaarts.com/tryon11995.jpeg
ILLUMINIST FRESCOES AT FORMER NATIONSBANK CORPORATE CENTER, CHARLOTTE, NC
(Currently the Bank of America Corporate Center)
By RICHARD WARREN LIPACK
Initially, in 1989, NCNB Bank - eventually named the NATIONSBANK headquarters, at Charlotte, NC - commissioned American artist Ben Long for a triptych, or three related works as seen in the attachments accompanying this article, for display in the bank's lobby in downtown Charlotte. Located inside the lobby of the Corporate Center, the three panels are separate frescoes that are related works which were produced by Ben Long initially in Europe (Paris, France). The final work commenced in the US, with all work conducted over almost a four-year period which ended in 1992.
The first theme, found in the first panel to the viewer's left, is officially claimed to be of the "making/building" of the construction of the 'NCNB/ NATIONSBANK Corporate Center,' but actually appears more to be an allegorical representation of the initial flourishing of culture and society - or more likely - the birth of a New World Order.
The second panel, as current official jargon claims on one site discussing these triptychs, is representative of "chaos/creativity" and features figures that were said to be seen in a "daily newscast." But a closer look appears to reveal a true visualization of more so; a coming Fourth Reich. Note the emblem of the rising Phoenix in the flag display to the right. The "six nude figures" are in contrast to the other figures "clothed" in the masks of their "social roles," so the official synopsis claims. But one must ask, when does one see "social roles" in today's media showing a person with his back against a wall facing what appears to be a firing squad - as is shown in in this middle fresco? People facing firing squads (outside of those convicted of murder and facing the death penalty in the State of Utah, where its laws sanctions such actions), just does not happen in the United States of America. This is unless of course we enter into the realm of a fascist dictate. But why was such a depiction outwardly displayed
in the center panel of the Ben Long triptych?
The appearance of 'Fallen Angels,' which rather, seems to be a more defined definition for the "six nude figures" spoken of and shown in the middle fresco of the triptych, appears to be more representative of that of Satan and his followers - i.e.; the 'Fallen Angels' as spoken of in the New Testament.
The third panel, claimed to represent "planning/knowledge" on a official website discussing the triptych, features a young boy in a mysterious black robe, and supposedly represents "innocence." Notice the pyramid. It is said to be "a traditional symbol of perfection." The pyramid is also found on the verso of the U.S. dollar bill - the latter which is represented by the words "ANNUIT COEPTIS - NOVUS ORDO SECLORUM" - or 'Announcement of a New World Order.' Also notice in the third panel the magical illuminist "Black Sun" (of Satan) directly above a limp, stringed puppet figure of a woman, which more so seems to be representative of that of a 'controlled slave.' How is it that such an apparent sinister group of elements can go unchecked and unquestioned by people walking into the lobby of what is infact the largest bank in the United States of America?
The models for the frescoes were supposedly "of friends, associates and members of the Charlotte community," as one later discussion seen on the internet of late states. Local North Carolina artists did indeed participate as models for these works, but these models really are meant to represent allegorical inclinations of a New World Order. Looking more closely at the various parts of these three works reveal many many more of the hidden machinations that the powers-that-be behind the New World Order long and hope for, but likely will not ever fully achieve.
NATIONSBANK, at the time the frescoes were completed, was the third largest bank in the US, and rumoured to have been initially a money laundering bank for the CIA. NCNB/ NATIONSBANK was eventually absorbed in September 1998 by Bank of America, and the frescoes by Ben Long are still in the now present lobby of the Bank of America. The three fresco panels appear to actually represent the New World Order, the Hegelian Theory and is also representative of the New World Order age old concept of; 'out of chaos comes order' - with even the latter according to the bank's official internet and printed releases.
You may search the web for artist Ben Long and his work at the Bank of America to find other interesting data. Please note that the scant few images that can be found for this triptych on the internet are of very low resolution and small. This is intentionally done so that no one around the world can see what infact has been depicted in detail by artist Ben Long - for this appears to be a very interesting Satanic representation of the New World Order now apparently upheld as the image representative of the biggest bank in the United States.
Interestingly it is a bank integral to the recent 2008 'U.S. Financial Bailout.' It was a 'bailout' whereby the U.S. Congress was threatened with Martial Law and strong armed into passing a 'bailout' bill that gave the Secretary of Treasury total dictatorial powers and as well, for himself and all his minions, complete anonominity from any criminal wrongdoing. Under law, Congress now has no financial oversight whatsoever in the affairs of the United States centralized banking system. A complete and systematic looting of the entire wealth of the United States has begun, all on the road to a socio-fascist order.
All of this is supported by documentation found on www.bailoutsleuth.com - which shows redackted / blackened out U.S. Treasury documents obtained under the Freedom of Information Act and posted on the site in late October 2008, following the contrived passage of the 'Banker's Bailout Bill.' This 'contrived financial collapse' was discussed and predicted in part in my 1996 book, "EPOCH MOMENTS & SECRETS - JOHN LENNON & THE BEATLES AT THE MIRROR OF MAN'S DESTINY."
Current official data states that 'permission is needed to take photographs' of these frescoes that are situate within the lobby of the Bank of America. These rare high resolution images were taken by myself back in the mid-1990's, shortly after the Ben Long fresco triptych was completed and back before the current Bank of America actually purchased Nationsbank. Please note that at about the time these frescoes were completed in 1992, the original Bank of America, this author tends to recall, had apparently gone bankrupt and went through reorganization. Now, today, the Bank of America is the largest bank in the United States. The discussion herein of the work by Ben Long commisioned by the now defunct NCNB / NATIONSBANK is not necessarily the opinion or views of the Bank of America, the current owner of the Ben Long works, nor is it the opinion of Ben Long, the artist himself.
The official address for one to go to to view the frescoes in person, at the Bank of America Corporate Center - is 100 North Tryon Street, Charlotte, NC 28202. (All images are courtesy of RICHARD WARREN LIPACK)
A few more pics:
Large versions:
www.jojoplace.org/Shoebox/Richard_Lipack/Nations_Bank/BANK1.JPG
www.jojoplace.org/Shoebox/Richard_Lipack/Nations_Bank/BANK2.JPG
www.jojoplace.org/Shoebox/Richard_Lipack/Nations_Bank/BANK3.JPG
www.jojoplace.org/Shoebox/Richard_Lipack/Nations_Bank/BANK4.JPG
www.jojoplace.org/Shoebox/Richard_Lipack/Nations_Bank/BANK5.JPG
www.jojoplace.org/Shoebox/Richard_Lipack/Nations_Bank/BANK6.JPG
