PID/PWR songs

[thisone]

And The Bewlay Brothers is another Bowie song that could be relevant...

And so the story goes
they wore the clothes
They said the things
to make it seem improbable
The whale of a lie
like they hope it was
And the Goodmen of Tomorrow
Had their feet in the wallow
And their heads of Brawn
were nicer shorn
And how they bought their positions with saccharin and trust
And the world was asleep
to our latent fuss
Sighing, the swirl through the streets
Like the crust of the sun
The Bewlay Brothers
In our Wings that Bark
Flashing teeth of Brass
Standing tall in the dark
Oh, And we were Gone
Hanging out with your Dwarf Men
We were so turned on
By your lack of conclusions

I was Stone and he was Wax
So he could scream,
and still relax, unbelievable
And we frightened the small children away
And our talk was old
and dust would flow
Thru our veins and Lo!
it was midnight
Back o' the kitchen door
Like the grim face
on the Cathedral floor
And the solid book we wrote
Cannot be found today

And it was Stalking time
for the Moonboys
The Bewlay Brothers
With our backs on the arch
In the Devil-may-be-here
But He can't sing about that
Oh, And we were Gone
Real Cool Traders
We were so Turned On
You thought we were Fakers

Now the dress is hung,
the ticket pawned
The Factor Max that proved the fact
Is melted down
And woven on the edging of my pillow
Now my Brother lays upon the Rocks
He could be dead, He could be not
He could be You
He's Camelian, Comedian, Corinthian and Caricature
"Shooting-up Pie-in-the-Sky"
The Bewlay Brothers
In the feeble and the Bad
The Bewlay Brothers
In the Blessed and Cold
In the Crutch-hungry Dark
Was where we flayed our Mark
Oh, and we were Gone
Kings of Oblivion
We were so Turned On
In the Mind-Warp Pavilion

Lay me place and bake me Pie
I'm starving for me Gravy
Leave my shoes, and door unlocked
I might just slip away
Just for the Day, Hey!
Please come Away, Hey!

[B]

the music: www.youtube.com/watch?v=8a82arE0JSQ ;D

"And the solid book we wrote
Cannot be found today"

The suitcase! ;D

[iameye]

And while lennon read a book of marx,
The quartet practiced in the park

I just had to look,
having read the book

Did you write the book of love?

[B]

Well, it's Halloween....

and I don't know whether this song really pertains to PID/PWR or not, but for some reason it always
sets off my radar, and when I see that burned post in the Rotten Apple videos, I have to wonder.
So what the hell.

Black Sabbath - Black Sabbath
www.youtube.com/watch?v=1t24PsZxohY

What is this that stands before me
Figure in black which points at me
Turn 'round quick and start to run
Find out I'm the chosen one

Oh, no

Big black shape with eyes of fire
Telling people their desire
Satan sitting there, he's smiling
Watches those flame get higher and higher

Oh, God--please help me
Oh, no--no

Child cries out for its mother
Mother screaming in the fire
Satan points at me again
Opens the door to push me in

Oh, no
Oh, God

Is it the end my friend
Satan's coming 'round the bend
People running 'cause they're scared
You people better go and beware

No, no
Please, God--no

--------------------------------

[glow=Orange,2,300]Santana - Soul Sacrifice (Woodstock1969)[/glow]
www.youtube.com/watch?v=XnamP4-M9ko

---------------------------------------------------------------

Sacrifice (Elton John)
www.youtube.com/watch?v=KZvL2N0bXhE

Sacrifice lyrics
It's a human sign
When things go wrong
When the scent of her lingers
And temptation's strong

Into the boundary
Of each married man
Sweet deceit comes calling
And negativity lands

Cold cold heart
Hard done by you
Some things look better baby
Just passing through

And it's no sacrifice
Just a simple word
It's two hearts living
In two separate worlds
But it's no sacrifice
No sacrifice
It's no sacrifice at all

Mutual misunderstanding
After the fact
Sensitivity builds a prison
In the final act

We lose direction
No stone unturned
No tears to damn you
When jealousy burns

[B]

Here's one I missed. I'll comment tomorrow.

Twilight Zone
(Golden Earring)

hear it: www.youtube.com/watch?v=DZkOFqC-csM

Somewhere in a lonely hotel room
there's a guy starting to realize
That eternal fate has turned it's back on him
It's two a.m.

It's two a.m. the fear has gone
I'm sitting here waitin' the gun still warm
Maybe my connection is tired of taken chances
Yeah there's a storm on the loose sirens in my head
I'm wrapped up in silence all circuits are dead
I cannot decode
my whole life spins into a frenzy
Help I'm steppin' into the twilight zone
The place is a madhouse
Feels like being cloned
My beacon's been moved under moon and star
Where am I to go
Now that I've gone too far
Help I'm steppin' into the twilight zone
The place is a madhouse
Feels like being cloned
My beacon's been moved under moon and star
Where am I to go
Now that I've gone too far
Soon you will come to know
When the bullet hits the bone
Soon you will come to know
When the bullet hits the bone
I'm falling down a spiral
destination unknown
A double crossed Messenger
all alone
I can't get no connection
I can't get through
Where are you
Well the night weighs heavy on his guilty mind
This far from the borderline
And when the hitman comes
He knows damn well he has been cheated
And he says
Help I'm steppin' into the twilight zone
the place is a madhouse
Feels like being cloned
My beacon's been moved under moon and star
Where am I to go
Now that I've gone too far
Help I'm steppin' into the twilight zone
The place is a madhouse
Feels like being cloned
My beacon's been moved under moon and star
Where am I to go
Now that I've gone too far
Soon you will come to know
When the bullet hits the bone
Soon you will come to know
When the bullet hits the bone
When the bullet hits the bone
(Musical interlude)
Help I'm steppin' into the twilight zone
The place is a madhouse
Feels like being cloned
My beacon's been moved under moon and star
Where am I to go
Now that I've gone too far
Help I'm steppin' into the twilight zone
The place is a madhouse
Feels like being cloned
My beacon's been moved under moon and star
Where am I to go
Now that I've gone too far
Soon you will come to know
When the bullet hits the bone
Soon you will come to know
When the bullet hits the bone
Soon you will come to know
When the bullet hits the bone
Soon you will come to know
When the bullet hits the bone
When the bullet hits the bone
When the bullet hits the bone
When the bullet hits the bone
When the bullet hits the bone
When the bullet hits the bone
When the bullet hits the bone
When the bullet hits the bone
When the bullet hits the bone

[B]

maybe
Hammer Horror
(Kate Bush)

www.youtube.com/watch?v=4NZTschMB20

You stood in the belltower,
But now you're gone.
So who knows all the sights
Of Notre Dame?
They've got the stars for the gallant hearts.
I'm the replacement for your part.
But all I want to do is forget
You, friend.
Hammer Horror, Hammer Horror,
Won't leave me alone.
The first time in my life,
I leave the lights on
To ease my soul.
Hammer Horror, Hammer Horror,
Won't leave it alone.
I don't know,
Is this the right thing to do?
Rehearsing in your things,
I feel guilty.
And retracing all the scenes,
Of your big hit,
Oh, God, you needed the leading role.
It wasn't me who made you go, though.
Now all I want to do is forget
You, friend.
Hammer Horror, Hammer Horror,
Won't leave me alone.
The first time in my life,
I leave the lights on
To ease my soul.
Hammer Horror, Hammer Horror,
Won't leave it alone.
I don't know,
Is this the right thing to do?
Who calls me from the other side
Of the street?
And who taps me on the shoulder?
I turn around, but you're gone.
I've got a hunch that you're following,
To get your own back on me.
So all I want to do is forget
You, friend.
Hammer Horror, Hammer Horror,
Won't leave me alone.
The first time in my life,
I leave the lights on
To ease my soul.
Hammer Horror, Hammer Horror,
Won't leave it alone.
I don't know,
Is this the right thing to do?

[P(D)enny La(i)ne]

Nov 9, 2008 11:56:05 GMT -5 B said:

maybe
Hammer Horror
(Kate Bush)

www.youtube.com/watch?v=4NZTschMB20

You stood in the belltower,
But now you're gone.
So who knows all the sights
Of Notre Dame?
They've got the stars for the gallant hearts.
I'm the replacement for your part.
But all I want to do is forget
You, friend.
Hammer Horror, Hammer Horror,
Won't leave me alone.
The first time in my life,
I leave the lights on
To ease my soul.
Hammer Horror, Hammer Horror,
Won't leave it alone.
I don't know,
Is this the right thing to do?
Rehearsing in your things,
I feel guilty.
And retracing all the scenes,
Of your big hit,
Oh, God, you needed the leading role.
It wasn't me who made you go, though.
Now all I want to do is forget
You, friend.
Hammer Horror, Hammer Horror,
Won't leave me alone.
The first time in my life,
I leave the lights on
To ease my soul.
Hammer Horror, Hammer Horror,
Won't leave it alone.
I don't know,
Is this the right thing to do?
Who calls me from the other side
Of the street?
And who taps me on the shoulder?
I turn around, but you're gone.
I've got a hunch that you're following,
To get your own back on me.
So all I want to do is forget
You, friend.
Hammer Horror, Hammer Horror,
Won't leave me alone.
The first time in my life,
I leave the lights on
To ease my soul.
Hammer Horror, Hammer Horror,
Won't leave it alone.
I don't know,
Is this the right thing to do?

Bush attended St. Joseph's Convent Grammar School (became the St Joseph's Campus of Bexley College then knocked down for housing) and a Catholic girls school, on Woolwich Road in Abbey Wood, London, in the mid-1970s. During this time her family produced a demo tape with over 50 of her compositions which was turned down by record labels. David Gilmour of Pink Floyd received the demo from Ricky Hopper, a mutual friend of Gilmour and the Bush family. Impressed with what he heard, Gilmour helped Bush get a more professional-sounding demo tape recorded that would be more saleable to the record companies.[5] The tape was produced by Gilmour's friend Andrew Powell, who would go on to produce Bush's first two albums.[4] The tape was sent to EMI executive Terry Slater who would become famous for signing The Sex Pistols. Slater was impressed by the tape and signed her.[6] At that time Pink Floyd was an important act to EMI. The mid 1970s were a stagnant time in the history of the British record industry. Progressive rock was very popular and visually-oriented rock performers were growing in popularity thus record labels looking for the next big thing were considering experimental acts.

[P(D)enny La(i)ne]

I could be way off base here, but there seems to be a connection between "Dodo" by Genesis, and The Who's "Drowned", which is on the PID/PWR-laden Quadrophenia.

In addition, Dodo seems to have a reference to The Shining.

Have a look...

The Who - "Drowned"

There are men high up there fishing,
Haven't seen quite enough of the world,
I ain't seen a sign of my heroes,
And I'm still diving down for pearls.

Let me flow into the ocean,
Let me get back to the sea.
Let me be stormy and let me be calm,
Let the tide in, and set me free.

I'm flowing under bridges,
Then flying through the sky,
I'm travelling down cold metal
Just a tear in baby's eye.

Let me flow into the ocean
Let me get back to the sea
Let me be stormy and let me be calm
Let the tide in, rush over me.

I am not the actor
This can't be the scene
But I am in the water,
As far as I can see...

I'm remembering distant memories
Recalling other names.
Rippling over canyons,
And boiling in the train.

Let me flow into the ocean
Let me get back to the sea
Let me be stormy and let me be calm
Let the tide in, rush over me

I wanna drown
In cold water

Genesis - "Dodo"

Too big to fly, dodo ugly so dodo must die,
Doggo with fear on its side, can't change, can't change the tide.
Dog baiter, agitator, asking questions, says he wants to know why.
Ain't no reason that money can't buy.
Mink he pretty so mink he must die, must die, must die.

Sun he giving life in his light,
Part of the system,
Friend to man, friend to the trees,
No friend to the snowman.
Where does he go, what does he do?
Does he meet with the mole, the stream, the cloud
And end up at the bottom of the sea.

Fish he got a hook in his throat,
Fish he got problems
Where does he go, what does he do?
Does he hope he's too small, to poor a haul,
Who'll end up being thrown back in the sea.
I'm back in the sea.

Caretaker, horror movie,
Only one eye, only needs one boot,
Sweet lady, she knows she looks good
Vacuum coming for the bright and the brute.

Big noise, black smoke
So pig-headed couldn't see the joke.
But it ain't funny
Ask the fly on the wall
It's only living
It don't matter at all, at all, at all.

Pimp, he make you drool and grunt,
He got an answer.
One he got a dream of love,
Deep as the ocean.

Where does he go?
What does he do?
Will the siren team with Davy Jones,
And trap him at the bottom of the sea?

I'm back in the sea.
I'm back in the sea.
I'm back in the sea.

[B]

The Who - "Drowned"

see/hear it: www.youtube.com/watch?v=2wea25T1arw

Genesis - "Dodo"

hear it: www.youtube.com/watch?v=u3DRWL-1nIw


possible connection:

Paul is Dead - 31 - HELP!
www.youtube.com/watch?v=I5DxQV5r6vQ

[P(D)enny La(i)ne]

Nov 18, 2008 12:11:48 GMT -5 B said:

The Who - "Drowned"

see/hear it: www.youtube.com/watch?v=2wea25T1arw

Genesis - "Dodo"

hear it: www.youtube.com/watch?v=u3DRWL-1nIw


possible connection:

Paul is Dead - 31 - HELP!
www.youtube.com/watch?v=I5DxQV5r6vQ

Thanks for the connection, B.

I've got some more on this.

Here's the last verse of "Dodo", by Genesis:

"Where does he go?
What does he do?
Will the siren team with Davy Jones,
And trap him at the bottom of the sea?"

From Wiki:

"Davy Jones’ Locker is an idiom for the bottom of the sea; the resting place of drowned sailors. It is used as a euphemism for death at sea (to be sent to Davy Jones' Locker),[1] whereas the name Davy Jones is a nickname for what would be the devil/saint/god of the seas. The origins of the name are unclear and many theories have been put forth, including incompetent sailors, a pub owner who kidnapped sailors, or that Davy Jones is another name for the devil – as in, “Devil Jonah”. This nautical superstition was popularized in the 1800s."

Paul was the "cute" Beatle.

His counterpart in the Monkee's?

Davy Jones.

I posted this before, but in the Anthology Special Features, there's an odd discussion of "Tomorrow Never Knows". They're talking about the recording process and all of the tape effects, and at 3:00, George laughs and says:

"Bring Phil Collins in."



This made me remember Collins talking about Ringo being "vastly underrated", and talking about the "very, very complex drum fills" on "A Day In The Life" in the Making of Sgt Pepper video.

Watch here at 1:39:



Wouldn't it be a classic example of HIDDEN IN PLAIN SITE to have Phil Collins discussing his own uncredited work, and attributing it to Ringo?

I'm not sure if I'm actually suggesting that or not, because Collins was supposedly born in January, 1951, which means he would have only been 15 in 1966. There's also the fact that Collins covered "Tomorrow Never Knows" on FACE VALUE, so that could be what George is referring to. Either way, the whole thing strikes me a strange.

[sunsoflight]

Interesting post, P(D)enny La(i)ne.

Phil was in the audience at the taping of "A Hard Day's Night" and screaming like a little girl.
Well, yeah, I made up the screaming little girl part. He is a huge Beatles fan though.

On "Tomorrow Never Knows" they grabbed just about every EMI employee around to hold the pencils for the tape effects loops, throughout the building in halls and other rooms. It wasn't just a few minute process but lasting for a dozen hours or so. It makes me tired thinking about it.

[mindgames]

I wrote my theory on thi9s song on TKIN here is another confirmation: Wednesday, April 2nd, 2008 by David Medsker

"Funny story: I interviewed Babydaddy of the Scissor Sisters, and when
I commented on how their song "Paul McCartney" reminded me of
Palmer's "Looking for Clues," he admitted that that was exactly what
they were aiming for, then made a throwaway comment about that song's
groove, saying, "Who knew that Robert Palmer had it in him?""

Nov 22, 2006 15:28:37 GMT -5 @fourthousandholes said:

The title of this song, "Looking For Clues" would instantly resonate with anyone who spent
time looking for clues on the Beatles albums when the PID 'rumor' hit the airwaves in 1969.
Perhaps there are a few in this song, eh?

LOOKING FOR CLUES
(Robert Palmer)

It’s crazy but I’m frightened by the sound of the telephone, oh yeah
I’m worried that the caller might have awful news, oh my’
Who knows these days where on earth the money goes, oh yeah
No doubt we could put it to a better use, oh my

You keep insisting that nobody showed you how to keep relationships, oh yeah
Your daddy made a real good try, oh my
You said you knew all along
We could work it out, oh yeah
Do you have to make a fuss everytime we fly
Oh I’m looking for clues

I have to make an effort now I just to be serious, oh yeah
Nobody’s gonna give you the benefit of the doubt, oh my
Everytime I pick a paper up it’s harder to believe the news, oh yeah
I’m gonna have to shake it up and twist and shout, oh my

You can’t do nothing that you don’t put your mind to, oh yeah
I suspected all along you were a dream come true, oh my
I’m never in the dark ’cause my heart keeps me well informed, oh yeah
I’m convinced that there’s a way of getting through to you
Ooh I’m looking for clues

It’s crazy but I’m frightened by the sound of relationships, oh yeah
I swear we could put it to a better use, oh my
Do hurry baby you’ve forgotten how to catch a night groove, oh yeah
You told all the callers you were not amused oh I’m looking for clues

You keep insisting that nobody showed you how to use a telephone, oh yeah
Nobody’s gonna give you a second chance, oh my
I don’t have to make an effort now to find out where the money goes, oh yeah
Do you have to make a fuss everytime we dance
Ooh I’m looking for clues

Do ya do ya do ya do ya
Ooh I’m looking for clues
Ooh I’m looking for clues
Ooh I’m looking for clues

hear it:
www.youtube.com/watch?v=x5Ua2Jk2K8g

[B]

You Dont Fool Me
"Video From album Made In Heaven[/b] of a group Queen."
www.youtube.com/watch?v=-5KUfwtckjw

I won't bother to print the lyrics. This video strikes me as "all the young dudes carrying 'the news' ",
but the imagery contains all the familiar PID/PWR material:
a dead man, who is also a woman and "a fool", a lightning strike, etc. etc.

I'm not saying the video is necessarily about Paul, but it seems to be telling the same story
that the Beatles were involved in.

[puzzled]

I saw a photo comparison of Paul/Faul yesterday showing the extreme eye color difference. It was an outdoor photo, and the color was really apparent. It brought to mind the American Idol winner Kelly Clarkson and her hit song "Behind These Hazel Eyes."

I wouldn't have made the connection before, but when you think about it, American Idol would be a good placement, and there is the Simon connection?

Anyway, the lyrics aren't packed with symbolism, but I did see this:


Here I am, once again
I'm torn into pieces
Can't deny it, can't pretend
Just thought you were the one
Broken up, deep inside
But you won't get to see the tears I cry
Behind these hazel eyes

Swallow me then spit me out
For hating you, I blame myself
Seeing you it kills me now
No, I don't cry on the outside
Anymore...

[B]

While on the Cecile Pearl (called "Pauline") Cornioley Witherington thread from GN,
I thought of the song "Cecilia" from Simon and Garfunkel, whose tunes often seem to be part of
the story, and I also thought about Pearl, the album by Janice Joplin.
I suspected that "Pearl" may be another Biblical reference, as in
"the Pearl of great price"
that the man sold all his possessions to buy, or "Pearls before swine" that Jesus warned about.
Don't laugh! After all, the Beatles sang about "the little piggies" in their starched white shirts.
Unappreciative, no doubt, of the Pearl that was before them in the musicians they so ruthlessly exploited.

One of the songs on the Pearl album is "The Saint James Infirmiry", which hearkens back
to 1928 or so, and so wouldn't seem to be PID song.

Here are the traditional lyrics (sung by my man Roger!)

www.ibiblio.org/jimmy/folkden-wp/?p=6990

They differ from what Janice sang, though!

In her version, these are the words:

I went down to old Joe's bar room,
on the corner by the square
Well, the drinks were bein' served as usual,
and this motley crowd was there

Well, on my left stood Joe McKennedy,
and his eyes were bloodshot red
When he told me that sad story,
these were the words he said:

I went down to the St. James infirmary,
I saw my baby there
She was stretched out on a long white table,
so cold, and fine, and fair
Go ahead!

Let her go, let her go, God bless her,
wherever she may be
She can search this world over,
never find another man like me

Yes, sixteen coal black horses, <----- this verse is different, added
to pull that rubber tied hack
Well, it's seventeen miles to the graveyard,
but my baby's never comin' back

Well, now you've heard my story,
well, have another round of booze
And if anyone should ever, ever ask you,
I've got the St. James infirmary blues!

------------------------------------------------------

Now remember, the song is called the St. James Infirmiry blues.
In the highlighted verse we have: Yes, sixteen coal black horses,
('dark horse' x 16)
to pull that rubber tied hack (Rubber Soul? Faul ?)
Well, it's seventeen miles to the graveyard, (She was just 17, if you know what i mean)
but my baby's never comin' back (like in "Paint It Black")

So, speaking of rubber, that all may be a stretch, but then again, it may not. Remember the RA video,
"a tied down affair" that was withdrawn, but reposted on YouTube by sneaky NIR-PWR agents?
St. James, St. Paul, one and the same, perhaps. The bar scene reminiscent of the one in "the Piano Man"
which came later.

Down at the SunSET(h) Grill
www.youtube.com/watch?v=D6PgrK3oZ2Y

These days a man makes you somethin'
And you never see his face (Paul makes Faul something, but you never see his face)
But there is no hiding place
Down at the sunset grill
Down at the sunset grill
Down at the sunset grill
Down at the sunset grill
Respectable little murders pay
They get more respectable every day (stars being replaced with doubles)
Dont worry girl, Im gonna stick by you
And someday soon were gonna get in that
Car and get outta here! (baby you can drive mine)
What would we do without these jerks anyway?
Besides, all our friends are here
-------------------------------------

Is the head dead yet?

Oops, a different song.
-------------------------------

Speaking of Simon and Garfunkel:

El Condor Pasa
www.youtube.com/watch?v=qUn3TFkGoec



I'd rather be a sparrow than a snail. (rather fly and soar than crawl)
Yes I would.
If I could,
I surely would.

I'd rather be a hammer than a nail. (Preferably a silver hammer)
Yes I would.
If I could,
I surely would.

Away, I'd rather sail away!
Like a swan that's here and gone
A man grows older every day
It gives the world
Its saddest sound,
Its saddest sound. (Better to die young?)

I'd rather be a forest than a street. (Norwegian Wood than Blue Jay Way, perhaps)
Yes I would.
If I could,
I surely would.

I'd rather feel the earth beneath my feet,
Yes I would.
If I could,
I surely would.

No direct tie-in here, but....something is going on here. Maybe a tie-in with Peru, and Macchu Pichu?

Maybe JoJo can fill in some detail here, being as he's the bus driver, and has been there.

Machupicchu - Condor Pasa
www.youtube.com/watch?v=qPMM7-eILZo

INKAS WASI-CONDOR PASA
www.youtube.com/watch?v=V_jAIK67dUo

compare to:

Pink Floyd - Learning to Fly
www.youtube.com/watch?v=xb-Nacm-pKc

[ramone]

The famous:
"A Day In The Life Of Peter Blake On Way too Much Cough Syrup"

or....

[P(D)enny La(i)ne]

This cover sort of speaks for itself, i think...



The album was released in 1985 and was produced by Chris Kimsey.

"Christopher Kenneth Kimsey is a record producer and musician most famous for having co-produced The Rolling Stones' Undercover and Steel Wheels albums. He was also an engineer on their 1971 album Sticky Fingers as well as 1978's Some Girls and 1980's Emotional Rescue and assisted Mick Jagger and Keith Richards closely in preparing 1981's Tattoo You.

He has also worked with Peter Frampton, Marillion, The Cult, Peter Tosh, The Psychedelic Furs, Emerson, Lake & Palmer, Johnny Hallyday, Diesel Park West, JoBoxers, Killing Joke (YOUTH, of The Fireman), New Model Army, Ash, The Chieftains, Soul Asylum, Duran Duran, Yes, Anderson Bruford Wakeman Howe, INXS and Moral Code X.

He was the recording engineer for Frampton Comes Alive! in 1976.

Chris Kimsey is credited for mixing the performances of Elton John, Paul McCartney and Cliff Richard & The Shadows on the Knebworth double album in 1990."

en.wikipedia.org/wiki/Chris_Kimsey

All the lyrics can be found here:

www.marillion.com/music/lyrics/misplaced.htm

[FAUllibLE]

May 19, 2008 1:11:09 GMT -5 Doc said:

May 18, 2008 22:36:36 GMT -5 FAUllibLE said:

Hall and Oats
Out of Touch

A song from Paul to Faul

Shake it up is all that we know(Twist and Shout)
Using the bodies up as we go(Faul supposedly channeling Paul)
Waking up to fantasy(Faul living the dream)
The shades all around aren't the colors we used to see(signifying change)
Broken ice still melts in the sun(symbolic sun worship)
And times that are broken can often be one again
We're soul alone
And soul really matters to me
Take a look around(alluding to Faul channeling Paul's spirit)

You're out of touch
I'm out of time
But I'm out of my head when you're not around(chorus= Faul rejects Paul and wants to be his own man)

Reaching out for something to hold
Looking for a love where the climate is cold(Faul apologizes in "This One")
Manic moves and drowsy dreams
Or living in the middle between the two extremes
Smoking guns hot to the touch(Clues)
Would cool down if we didn't use them so much
We're soul alone
And soul really matters to me
Too much



Daryle is in "the know"

The smoking gun or clues hand sign

Now he has been exposed as to why Faul McCartney is constantly doing the "Smoking Gun" hand sign


Also notice at the beginning of the video the drum head rolls them over and then they become cardboard cutouts.

One of my favorite songs they ever did. Loved that period of their music.

Bang loud and carry and a big pair of sticks.

You may have something, here. Well, they had their "smoking gun". Hmm. One of those media catch words.

Kind of like Rush Limbaugh, who recently took claim for "letting loose" something he called "Operation Chaos."

Maybe the Apple folks have a little game (in order to stay somewhat sane) called, "Operation Klues."

Well, let's all be on the lookout for this style of hand signal for a while. I am not sure if Sir Paul's left hand on hip is supposed to tell us anything like, ev'rybody do the hokey-pokey, or, he thinks Sun King is some kind of a closet case, or, maybe "You be a sassy mamma, Ellen DeGeneres".
I just don't know.

He may be coaching his audience in the nuances of "The Time Warp." I get a the idea that Sir Paul just NEEDS to dance, sometimes.

If these are coded messages for James Paul, gosh, that will take better minds than mine for the delving.

Is it possible that Neil left a wish list, or specific instructions, consisting of bits and pieces to be shared with us after his premature passing?

We'll have to hunt Sir Paul's concert footage since, say, 2003 for archetypical, broad,
symbolic gesturing. It could get overly detailed. He does not stand still much.

Got to consider Hall is a follower of Crowley also.

[FAUllibLE]

YES: Owner of a Lonely Heart




......video and lyric analysis to come

[B]

OK.

Yes Owner Of A Lonely Heart Live
www.youtube.com/watch?v=z8dDcYjhdFU

Rabin/Anderson/Squire/Horn)

Move yourself
You always live your life
Never thinking of the future
Prove yourself
You are the move you make
Take your chances win or loser

See yourself
You are the steps you take
You and you - and that's the only way

Shake - shake yourself
You're every move you make
So the story goes

Owner of a lonely heart
Owner of a lonely heart
Much better than - a
Owner of a broken heart
Owner of a lonely heart

Say - you don't want to chance it
You've been hurt so before

Watch it now:
The eagle in the sky -
How he dancin' one and only.
You - lose yourself
No not for pity's sake
There's no real reason to be lonely
Be yourself
Give your free will a chance
You've got to want to succeed

Owner of a lonely heart
Owner of a lonely heart
Much better than - a
Owner of a broken heart
Owner of a lonely heart

Owner of a lonely heart

After my own decision
They confused me so!
My love said "Never question your will at all;
In the end you've got to go."
Look before you leap,
And don't you hesitate at all - no no
Owner of a lonely heart

Owner of a lonely heart

Owner of a lonely heart
Owner of a lonely heart
Much better than - a
Owner of a broken heart
Owner of a lonely heart
(repeat)

Owner of a lonely heart

Sooner or later each conclusion
Will decide the lonely heart
It will excite it will delight
It will give a better start

Owner of a lonely heart

Owner of a lonely heart

Don't deceive your free will at all
Don't deceive your free will at all
Don't deceive your free will at all
Just receive it

Owner of a lonely heart
--------------------

The lead singer strikes me as somewhat McCartneyesque.

[FAUllibLE]

Congradulations letter b those are the lyrics and thats a video. Your ever desperate pursuit of the trivial half truths once again left the masses none the wiser. So I shall shed a ray of light.

(Rabin/Anderson/Squire/Horn)
Owner of a lonely heart(s Club Band)

Move yourself
You always live your life
Never thinking of the future
Prove yourself(Bill comes into his own)
You are the move you make(never forget who you are)
Take your chances win or loser

See yourself
You are the steps you take(The constant torment it must be)
You and you - and thats the only way(You and you? I think its clear)

Shake - shake yourself
Youre every move you make
So the story goes(Again, constant reminders)

Owner of a lonely heart
Owner of a lonely heart
Much better than - a
Owner of a broken heart(Dead Paul)
Owner of a lonely heart

Say - you dont want to chance it
Youve been hurt so before

Watch it now
The eagle in the sky
How he dancin one and only
You - lose yourself
No not for pitys sake
Theres no real reason to be lonely
Be yourself(Be Will)
Give your free will a chance
Youve got to want to succeed

Owner of a lonely heart
Owner of a lonely heart
Much better than - a
Owner of a broken heart
Owner of a lonely heart

Owner of a lonely heart

After my own decision
They confused me so - owner of a lonely heart
My love said never question your will(you're Will) at all
In the end youve got to go
Look before you leap - owner of a lonely heart
And dont you hesitate at all - no no

Owner of a lonely heart
Owner of a lonely heart
Much better than - a
Owner of a broken heart
Owner of a lonely heart
(repeat)

Owner of a lonely heart

Sooner or later each conclusion
Will decide the lonely heart - owner of a lonely heart
It will excite it will delight
It will give a better start - owner of a lonely heart

Dont deceive your free will at all
Dont deceive your free will at all - owner of a lonely heart
Dont deceive your free will at all
Just receive it


It appears Bill was forced into the roll. They forged him into the mold, possibly with truama based mind control. 1:17 of the video sure looks like the fool on the hill.

[FAUllibLE]

This will be my next lyrical and video analysis
Amerika You can do Magick

COMING SOON!!!

[skyward]

Feb 15, 2009 14:02:19 GMT -5 FAUllibLE said:

Congradulations letter b those are the lyrics and thats a video. Your ever desperate pursuit of the trivial half truths once again left the masses none the wiser. So I shall shed a ray of light.

(Rabin/Anderson/Squire/Horn)
Owner of a lonely heart(s Club Band)

Owner of a L1LY Heart? L(one)LY

[B]

FauLLIBle wrote:
"They forged him into the mold, possibly with truama based mind control."

[FAUllibLE]

HAHAHAHAHAHAHA Why do you think its bs? Its just a mere suggestion. wow LoL Since when did we start calling trivial half truths bs? hahahahaha